All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Lacking the angularity of the Classic Trio Meets Eric Alexander (Sharp Nine, 2002), Circles represents another important addition to the acoustic contemporary canon. Matthew Parrish is a young double-bassist who displays formidable chops in performance, arrangement, and composition. Circles is his debut recording and is impressive as a first outing. Parrish's own compositions range from the fringe contemporary of "Bee-Doe-Lot" to the bluesy "This One's For Al" to the extended ballad consideration of the title track. He presents a moody ethereal duet with pianist Vincent Bourgeyx.
The standards are explosive. "Seven Steps to Heaven" is perfect Be Bop performed with a digital sensibility. The talented Joel Frahm absolutely burns on tenor. The unlikely spiritual "Go Tell It on the Mountain" shows up effectively with a light Caribbean accent, representing the quiet center of the recording. Ellington's "Flirtbird" rounds out this fine recording as a bonus track, giving everyone ample time to make their respective statements. This disc is filled up with interesting and challenging music. Strongly recommended.
I love jazz because it mixes intellect and emotion in a very spontaneous way.
I was first exposed to jazz by liberating a Coltrane and a Pharoah Sanders record from a friend in NYC and listening to them over and over until I got it.
My advice to new listeners is you have to take the time to listen to some jazz tunes a number of times until it starts to make sense.