If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Following up the well-received Sky Bleached (2012, Cuneiform Records), drummer Dylan Ryan and his trio continue their full-blown aerial assault on conventional power trio mechanisms. Think of spaced out jazz rock with asymmetrical doses of Black Sabbath, avant- garde breakouts, and brooding rhythmic tirades, culminated with the art of improvisation. Guitarist Timothy Young's (Wayne Horvitz, David Sylvian) sustain driven single note lines, howling plaintive cries and grizzly crunch chords ride atop Ryan and bassist Devon Hoff's forceful manifesto, modeled with pumping pulses and driving rock grooves.
Works such as "Visionary Fantasy" feature devastating thematic overtures, sketched out by Young's psycho wah-wah lines and thrusting fuzoid chord clusters. Yet this trio offers much more than your customary soloing extravaganzas, as Young uses volume control techniques to evoke variable atmospherics and dreamscapes. In other spots the musicians incorporate acid rock stylizations that are retrofitted for current, off-kilter extremist persuasions. Each piece stands on its own. For example, "Slow Sculpture" gets into high-gear via the drummer's profound Afrobeat and cowbell hits atop Hoff's thumping ostinato notes as Young's improvisational acumen comes to the forefront. Here, the guitarist leisurely tells a story by taking his time to develop a groove amid jazzy voicings and symmetrical rhythmic patterns.
On the final track "Raw Rattle," the trio is a blast furnace with a driving rock opus, where the old and the new enjoy a fruitful coexistence resulting in a heated haze of Young's zinging harmonics and psychedelics. Hence, Ryan's compositions interlink a pointer towards the glory days of rock guitar trios with an ultra- modern fabrication that yields gratifying outcomes.
Track Listing: Trees, Voices, Saturn; Possession; Sledge Tread; Visionary Fantasy; Pink Noir; Mortgage On My Soul; Slow Sculpture; Low Fell; Night Sea Journey; Raw Rattle.
I love jazz because of its ability to evoke such tremendous emotion... primarily joy!
I was first exposed to jazz by my grandparents.
The first jazz record I bought was Jim Beard's Song of the Sun or maybe Steely Dan's Aja.
My advice to new listeners: remain varied in your listening habits, and of course keep listening, keep listening, keep listening!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!