Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

184

Chick Corea @ Montreal Jazz Festival

By

Sign in to view read count
Armed with a piano and percussion set, the 2002 Miles Davis Award winner opened with a song for his father and then took the packed hall on a tribute trip through much of the rest of storied musical family. "Armando's Rhumba" began with tribal thunder on the toms, but quickly switched to a playfully vibe-y piano, eventually settling into a dual-mooded conversation between the black and white keys. Turning from the personal to the universal, Corea offered the syncopated cascades of Gershwin's "Someone to Watch Over Me" and then expanded further into the embellished incremental refrains of Van Heusen¹s "It Could Happen To You" which, though harder to grasp, demonstrated Corea's insatiable desire to explore. Ellington's "Sophisticated Lady" was as its title suggested, layering classically trained changes under wisps of a honky-tonk theme that came to the fore in the easy swing of "Blue Monk." Corea continued the Monk medley with a figuring of "Monk's Dream" that pitted his own complicated rhythms against simultaneous key signatures that, though still impressive, seemed simple in comparison. Despite the lack of intimacy in the grand and nearly fully-lit hall, Corea's performance often seemed like an instance of catching him at his own piano, lost in the joy of creation and exploration and attacking the keys as if the pieces had only recently been composed, yet with the control and ease of the old master he is.

Tags

comments powered by Disqus

More Articles

Read We Jazz: Moveable Feast Fest Theory Live Reviews We Jazz: Moveable Feast Fest Theory
by Josef Woodard
Published: December 16, 2017
Read Anat Cohen Tentet at SFJAZZ Live Reviews Anat Cohen Tentet at SFJAZZ
by Harry S. Pariser
Published: December 16, 2017
Read We Jazz Festival 2017 Live Reviews We Jazz Festival 2017
by Anthony Shaw
Published: December 16, 2017
Read Mary Ellen Desmond: Comfort and Joy 2017 Live Reviews Mary Ellen Desmond: Comfort and Joy 2017
by Victor L. Schermer
Published: December 15, 2017
Read Jazztopad Festival 2017 Live Reviews Jazztopad Festival 2017
by Henning Bolte
Published: December 13, 2017
Read Vivian Reed at Feinstein's/54 Below Live Reviews Vivian Reed at Feinstein's/54 Below
by Tyran Grillo
Published: December 12, 2017
Read "Chris Oatts Quintet at Chris’ Jazz Cafe" Live Reviews Chris Oatts Quintet at Chris’ Jazz Cafe
by Victor L. Schermer
Published: June 26, 2017
Read "Bergamo Jazz Festival 2017" Live Reviews Bergamo Jazz Festival 2017
by Francesco Martinelli
Published: April 14, 2017
Read "Hermeto Pascoal at SFJAZZ" Live Reviews Hermeto Pascoal at SFJAZZ
by Harry S. Pariser
Published: April 21, 2017
Read "Jeff Lorber Fusion at Nighttown" Live Reviews Jeff Lorber Fusion at Nighttown
by C. Andrew Hovan
Published: June 5, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!