All About Jazz

Home » Articles » Live Reviews

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

5

Chicago Jazz Festival 2018

Patrick Burnette By

Sign in to view read count
Jazz lovers should be thankful that a serious jazz festival with such a distinctive local flavor like this exists.
Chicago Jazz Festival
Chicago, IL
August 29-September 2, 2018

A Beginner's Guide to the Chicago Jazz Festival

The Chicago Jazz Festival is a free event scheduled each Labor Day weekend and offering over fifty concerts in various outdoor venues. The 40th edition—running from August 29 to September 3, 2018—is now in the books. If you attended this year—or in recent years past—you already have a pretty good idea whether or not the Chicago Jazz Festival appeals to you. For those still on the fence about sampling it, or for veterans who haven't been able to attend the last few years, here's a breakdown of this year's festival.

About Chicago

Chicago boasts a distinctive jazz culture. Quite apart from its pivotal role in early jazz (Louis Armstrong held court there for several years and the Austin High School gang sprung up in response to his influence), Chicago was also the birthplace of the avant-garde AACM in the sixties and the home of such distinctive mainstream tenor-saxophone stylists as Gene Ammons and Von Freeman. In the later twentieth and early twenty-first centuries, Chicago boasts exponents of the inside/outside avant-garde tradition (Nicole Mitchell, Rob Mazurek, Ken Vandermark), mainstream players (Orbert Davis, Ramsey Lewis), and vocalists (Patricia Barber, Kurt Elling), as well as artists combining two or more of these streams (Fareed Haque, for just one example, who plays straight ahead funk and organ-based jazz as well as bringing in other cultural strains to the mix). The Chicago jazz scene is on full display at the festival, which relies on local artists for much of its afternoon programing and some of the evening headliners. It's a great place to get to know artists you may not have heard about, and if you attend several times in a row, you'll start to notice certain movers and shakers appearing in various groups and working through new material year after year. That said, if you plan to visit only one festival a summer and want the greatest density of "big" or "national" names in one place, this may not be the shindig for you.

Chicago, of course, also provides the venues. For many years, the festival took place on Jackson Street (off the South loop) and in Grant Park. Recently, however, it has migrated North to Millennium Park. During the afternoon, concerts take place in a large tent to the North (the Jazz and Heritage Stage) and (for 2018, at least) an open stage to the South (the Von Freeman Stage, which was previously housed in a tent as well). Acoustics and/or sound engineering in the Jazz and Heritage Stage have been problematic for the last couple of years, and the ceiling fans never move enough air on hot days. The outdoor Von Freeman Stage, in contrast, has excellent amplification, with all instruments clearly audible and the bass, especially, reproduced with care and force (but no "rock" style excess). Other venues are scattered nearby, including a smallish tent set up on a nearby rooftop. Roughly speaking, the more "traditional" acts perform on the Jazz & Heritage Stage, the more challenging artists populate the Von Freeman stage, and amateur and up-and-comers play the roof. None of the locations are particularly pleasant on humid, broiling days such as those experienced this Labor Day weekend. If Labor Day is running warm, be sure to bring a good supply of water, or cash—beer, soda, and water are available from on-site vendors.

The Pritzker Pavilion—a venue with seating near the stage and a grassy area behind for picnickers and conversationalists -hosts the evening headliner performances. The amplification is state of the art and spread across the venue from suspended speakers, giving everyone in the audience a "front row" seat, acoustically speaking. A huge projection screen directly above the stage allows attendees in the seats to have a good look at whichever performer is interesting the camera-operator at the moment. For an outdoor venue, the conditions for actually hearing and enjoying the music could hardly be better. That said, serious rain storms can make Pritzker unusable, as was vividly illustrated at Friday night's performance when a downpour of Biblical dimensions chased Diane Reeves off the stage and the audience out of the park, soaked to the bone.

Tags

comments powered by Disqus

Zeno

Zeno

Darcy James Argue
Infernal Machines

Live Reviews
CD/LP/Track Review
General Articles
CD/LP/Track Review
Megaphone
Read more articles
Real Enemies

Real Enemies

New Amsterdam Records
2016

buy
Brooklyn Babylon

Brooklyn Babylon

New Amsterdam Records
2014

buy
Brooklyn Babylon

Brooklyn Babylon

New Amsterdam Records
2013

buy
Infernal Machines

Infernal Machines

New Amsterdam Records
2010

buy
Infernal Machines

Infernal Machines

New Amsterdam Records
2009

buy

Related Articles

Read European Jazz Conference 2018 Live Reviews
European Jazz Conference 2018
by Ian Patterson
Published: September 25, 2018
Read The Magpie Salute At The Grand Point North Festival 2018 Live Reviews
The Magpie Salute At The Grand Point North Festival 2018
by Doug Collette
Published: September 23, 2018
Read Chris Isaak at The Paramount in Huntington, NY Live Reviews
Chris Isaak at The Paramount in Huntington, NY
by Christine Connallon
Published: September 23, 2018
Read Detroit Jazz Festival 2018 Live Reviews
Detroit Jazz Festival 2018
by C. Andrew Hovan
Published: September 19, 2018
Read Beethoven, Barber and Vivaldi at The Jazz Corner Live Reviews
Beethoven, Barber and Vivaldi at The Jazz Corner
by Martin McFie
Published: September 18, 2018
Read Bryan Ferry at the Macedonian Philharmonic Hall, Macedonia 2018 Live Reviews
Bryan Ferry at the Macedonian Philharmonic Hall, Macedonia...
by Nenad Georgievski
Published: September 16, 2018
Read "Gary Peacock Trio at the Regattabar Jazz Club" Live Reviews Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Published: December 27, 2017
Read "Trondheim Jazzfest 2018" Live Reviews Trondheim Jazzfest 2018
by Henning Bolte
Published: May 26, 2018
Read "E. J. Strickland Quintet At Scullers Jazz Club" Live Reviews E. J. Strickland Quintet At Scullers Jazz Club
by Nat Seelen
Published: October 3, 2017
Read "Live From Birmingham: Dinosaur, Meatraffle, Hollywood Vampires, Black Asteroids & Paul Lamb" Live Reviews Live From Birmingham: Dinosaur, Meatraffle, Hollywood...
by Martin Longley
Published: September 16, 2018
Read "Jazzkaar 2018" Live Reviews Jazzkaar 2018
by Martin Longley
Published: July 24, 2018