3

Phish: Chicago '94

Doug Collette By

Sign in to view read count
With the exception of the deservedly lavish package of The Clifford Ball (Rhino/Jemp, 2009), Phish has allowed its music to speak for itself on virtually all the group's archive releases. Chicago '94 follows suit, as this six-CD set—like the similarly conceived Hampton/Winston-Salem '97 (Jemp, 2011)—makes its statement through the largely brilliant musicianship contained therein, with virtually no accompanying content to place it in a historical perspective.

Chicago '94 evinces a continuity in the content with its sound check filler (a misnomer when workouts on Led Zeppelin's "How Many More Times" become functional in recurring teases), thus fully presenting a broad view of this band's evolution at approximately ten years past its original formation. The quartet takes much of both performances at the UIC Pavilion at the University of Illinois in Chicago at an absolutely blistering pace, as "Llama" opens the November show to illustrate how, without the pretention of progressive rock, Phish draws more than a little from that genre.

The abandoned joy with which they romp thru "Julius" and then into "Golgi Apparatus," to close the set, corresponds to Phish's arcane sense of humor and further distances it from the likes of Yes and early Genesis. As does the collective self-awareness illustrated by the inclusion of "The Mango Song" on both set lists: it's as if the group is deliberately courting its muse (not to mention fate or serendipity), in the hopes of matching, if not surpassing, the level of excellence it set in June .

Comparable momentum that continues unabated from that initial performance comes to a screeching halt in the second concert, with fifteen minutes of "Harpua," much of which is spoken word rather than instrumental. Comic relief might better have been provided via the somewhat tongue-in-cheek cover of Prince's "Purple Rain' and a short snippet of Argent's "Hold Your Head Up." Drummer Jon Fishman's a veritable whirling dervish behind his kit on "Run Like An Antelope," and only slightly less so during the encore of Jimmy Page and company's "Good Times Bad Times," where guitarist Anastasio's precise guitar work matches the feverish pace.

Summer, 1994 marked the point Phish began regularly recording its live shows—and rightly so, as the band had mastered the pacing demanded of such a forward-thinking approach. The delicacy of the quiet guitar interlude in "Divided Sky," for instance, serves an even greater purpose than the truncated take on "Dog Faced Boy" that immediately precedes this near-fifteen-minute number; it sets the stage for Frank Zappa's "Peaches en Regalia" as an overture to a blazing "David Bowie" that's emblematic of this show's overall power.

The childlike simplicity of Jim Pollak's cover art belies the extension of the graphic design to the inside of the individual disc sleeves, but this subtle approach to is fully in line with the music of Chicago '94 as it captures the imminent flashpoint of the group's creativity.

Track Listing: CD1: Wilson >Rift; AC/DC Bag >Maze; The Mango Song >Down With Disease >It's Ice >; Dog Faced Boy; Divided Sky; Sample In A Jar. CD2: 6/18/94 Set II: Peaches en Regalia >David BowieHorn >McGrupp And The Watchful Hosemasters >Tweezer >Lifeboy. CD3: You Enjoy Myself >Chalk Dust Torture. Encore: Bouncing Around The Room >Tweezer Reprise. Filler-6/18/94 Soundcheck: All Things Reconsidered; How Many More Times; Poor Heart. CD4: Llama; Guelah Papyrus; Reba; Bouncing Around The Room; Split Open And Melt; Esther >Julius; Golgi Apparatus. CD5: 2001 >Mike's Song >Simple >Harpua >Weekapaug Groove >The Mango Song >Purple Rain >Hold Your Head Up. CD6: Run Like An Antelope; Good Times Bad Times; Filler-11/25/94 Soundcheck: Soundcheck Jam >Dog Log.

Personnel: Trey Anastasio: guitar, vocals; Jon Fishman: drums, vocals; Mike Gordon: bass, vocals; Page McConnell: keyboards, vocals.

Title: Chicago '94 | Year Released: 2012 | Record Label: Jemp Records


Tags

Related Video

comments powered by Disqus

More Articles

Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read Gledalec CD/LP/Track Review Gledalec
by John Sharpe
Published: October 19, 2017
Read Flux Reflux CD/LP/Track Review Flux Reflux
by Glenn Astarita
Published: October 19, 2017
Read Christmas With Champian CD/LP/Track Review Christmas With Champian
by Dan McClenaghan
Published: October 19, 2017
Read Harmony of Difference CD/LP/Track Review Harmony of Difference
by Phil Barnes
Published: October 18, 2017
Read "Silk & Steel" CD/LP/Track Review Silk & Steel
by Budd Kopman
Published: October 24, 2016
Read "My Foolish Heart" CD/LP/Track Review My Foolish Heart
by Henning Bolte
Published: February 3, 2017
Read "Better By Far" CD/LP/Track Review Better By Far
by Dan McClenaghan
Published: April 17, 2017
Read "Henry" CD/LP/Track Review Henry
by Ian Patterson
Published: December 1, 2016
Read "Bloodroot" CD/LP/Track Review Bloodroot
by Dan McClenaghan
Published: April 10, 2017
Read "Days Are Not Days" CD/LP/Track Review Days Are Not Days
by Mark Corroto
Published: December 20, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.