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Positive energy flows and pleasing melodies abound in Chasing Beauty by guitarist and composer Francesco Lo Castro, the fifth album released on his own label. Using an array of outstanding musicians, voice and instrumentation, Lo Castro creates a sonic canvass that's reminiscent of artists Pat Metheny and Mike Stern. Throughout the disc, Lo Castro displays an innate skill and sensibility in relation to his supporting musicians, instinctively knowing when to hold back and also when to unleash their joyful vigor.
The opening track "Dresdin" sets the aura of the entire album, creating an atmospheric quality and keen sense of dynamics that is maintained throughout. Lo Castro's guitar is subtle and delicate at times, and interweaves with the rhythms and soundscapes laid down by his instrumentalists, building to majestic crescendos, then pulling back at just the right time. The rhythmic and syncopated "Sahara" is a captivating track, complete with congas, delivering a melody that immediately hooks the listener. The song is optimistic, with Lo Castro's deft use of atmospheric guitar effects, leaving plenty room for guitar and flute solos soaring over the headwinds of the driving beat. With "Love," Lo Castro displays a subtle and introspective elegance, featuring horns played by Fulvio Sigurta.
Many of the songs feature the beautiful voice of Noa Bodner, adding an alluring and haunting backdrop to Lo Castro's memorable melodies. In "Embrace," her gentle harmonies lead into Lo Castro's melodious leads, almost like a call and response. The following track, "Dark Smiles," is the centerpiece of the entire album. Bodner captivates the listener with a hypnotic and repetitive melody, as Lo Castro's guitar solo sends the track into a wonderful crescendo and release, only to be drawn back again by Bodner's voice. Perhaps the only criticism of this piece is that it leaves the listener wishing it didn't end so quickly.
Other notable tracks on the disc include the gentle swing of "Bunch of Houses and Wonderful Memories," as well as "Nino and Dunia," featuring an easy-going yet intricate interplay between Lo Castro on guitar and Joe Fowler on flute.
Francesco Lo Castro's Chasing Beauty indeed chases beauty throughout his engaging album, and also captures beauty, like lightning in a bottle.
Track Listing: Dresden; Father; Sahara; As It Is; Love; May 2011; If I; Embrace; Dark
Smiles; Bunch of Houses and Wonderful Memories; Nino and Dunia; Peter
Personnel: Francesco Lo Castro: nylon strings, acoustic and electric guitars,
piano, congas, tambourine and drums (8,11); Fulvio Sigurta’: trumpet,
flugelhorn; Noa Bodner: vocals, harmonica; Dora Maria: violin; Joe
Fowler: flute; Maurizio Minardi: accordion, sax; Svetlana Savvina:
doublebass; Dado Pasqualin: percussions; Sophie Alloway: drums (2,4,
6, 10); Saverio Gerardi: drums (1,3,9,12).
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
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