Michael Robinson: Charukeshi

"Charukeshi" is a raga (in a Karnatic form popularized by Ravi Shankar), though its highly stylized approach renders irrelevant any simple comparisons to North Indian classical music. The record consists of a single hour-long piece, which opens to the cascade of rainsticks and bells, leading into an extended theme on the piano. It's hard to pick apart exactly what's going on where since the piece is so richly textured, but a clear drone stands out amidst the ripples and swirls on the keyboard. As time passes, the drums begin to emerge. Robinson plies the sounds of his esoteric drum collection in a dense, interwoven fashion to create thick sonic meshes which evolve relative to each other and the melody. The drums come and go, just like the piano, but the piece rarely loses momentum. (You do have to spend an hour with the disc, since there are no breaks in the tracking.)

Having said all that, there's really no point in over-intellectualizing this music. Whatever ideas the artist used to put it together, Charukeshi relies first and foremost on a tidal flow. If you just listen and allow the waves of sound to pass, you can absorb a warm, pulsating energy. I think that's the point.

(Note: this record is the most recent in a series of releases by Michael Robinson, each with its own instrumental flavors and levels of intensity. It's curious to note the origins of the art that comes with this CD. To quote the notes, "The cover paper was handmade in the mountains of Nepal from the inner bark of the Lokta bush. Embedded in the paper is an actual Boddhi tree leaf which is first painted silver." It's quite a thing, as you might imagine.)

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