Louis Armstrong's "Someday You'll Be Sorry makes an appropriate opener for this loving big-band-on-parade salute to New Orleans. A compilation of traditional music, some associated with the city and new original music about New Orleans, this is Connick's valentine to his native city, recorded some time prior to the disastrous Hurricane Katrina. Connick's early career included playing piano and singing in Bourbon Street bars.
Connick has toured regularly with this band since the early '90s and this recording, made just after completing a tour, captures them in hot form. On that first tune, after Connick swings in gently with some quiet drum support, suddenly there's a brief splash of brass, some piano and drums again and then a bigger brass explosion and again with just a bit more oomph and then BAM!, we're off! Suddenly, there's that particular sense of excitement unique to that special piece of machinery: a swinging big band.
Connick's own tune "Ash Wednesday (one of several originals), has a lengthy back and forth between a gang of saxophones and trombones, punctuated by trumpets, interlaced with drums. Relentless and throbbing, this is all about a tight unit accustomed to playing together who are doing their stuff. Trumpeter Leroy Jones also provides irresistibly swinging, big-voiced vocalizing on "Bourbon Street Parade while gravel-voiced trombonist Lucien Barbarin has fun growling out "Luscious .
Supporting throughout are Connick's sizzling arrangements which bring out the swell best in his musicians. Guys! Y'all need to take a nice big bow!
Track Listing: Someday You
Personnel: Harry Connick Jr.: piano; Neal Caine: bass; Arthur Latin: drums; Charles
Enjoy Three Days on the Beach with Snarky Puppy, Brian Blade & The Fellowship Band, Lettuce, Cecile McLorin Salvant, Lila Downs, Michael McDonald Acoustic Quartet, Christian Scott aTunde Adjuah, Flor de Toloache and more—February 14-16, 2020 at the North Beach Bandshell in Miami, FL.
The winner receives a 3-day pass for two. Excludes travel or lodging.
Acclaimed by the New York Times as one of the “Top 10 Definitive Moments of the Decade in Jazz Music,” GroundUP goes beyond the typical festival experience, breaking down the barriers between audience and artists...
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