This amazing album was the last recording by the Clarke-Boland Big Band and features six original compositions by Francy Boland with Stan Getz as featured soloist. The album was originally released only in Europe and its current CD re-release is now out of print, which is regrettable because it features some of the finest big band compositions and performances of all time.
Francy Boland, now semi-retired and living in Switzerland, has never received his due as a jazz composer. Part of this has to do with the fact that his compositions and arrangements always swing, regardless of their harmonic or contrapuntal complexity; and therefore, critics have mistaken him for a mainstream jazz composer. Another reason may be due to the fact that the C-BBB had limited exposure in America during its 12-year existence.
The first piece, "Extravagances," features a 12-tone theme and excellent solos by Getz on tenor, Sahib Shihab on alto flute and Tony Coe on clarinet. This work, along with its companion pieces, utilizes not only a lot of highly complex and dissonant harmonies, but also frequent changes of meter and tempi. The next piece, "Symptones," features Herb Geller on oboe with some fine backup by flutes and bass. Geller's multifaceted woodwind talents are also put to good use in "Quidproquos" and "Escarmouches" where he provides some outstanding solos on the English horn.
Fans of Stan Kenton will appreciate the album's finale, Provocations," which has many similarities to the big production numbers featured by the Kenton bands of the 1970s as well as some of the symphonic complexities of the Innovations Orchestra of the 1950s. Albert Mandelsdorff on trombone sounds eerily like Kenton lead trombonist Dick Shearer on the out chorus.
Kudos need to go to Stan Getz who instigated this collaboration and proved himself to be more than up to the challenge of Francy Boland's difficult and highly original charts.
I love jazz because it expresses things so deep that I can't transform in words.
I met John Pizzarelli.
The best show I ever attended was MASP in São Paulo Brazil.
The first jazz record I bought was a Baby Dodds CD.
My heroes on drums: Papa Jo Jones, Sid Catlett, Gene Krupa, Baby Dodds, Zutty Singleton, Ray Bauduc, Vernell Fournier,
Shelly Manne, Jimmy Cobb, Joe Morello, Daniel Humair, Kenny Clarke, Sonny Carr, Buddy Rich, Sam Woodyard, Cozy Cole,
Sonny Greer, Neil Peart, Carl Palmer, Tony Sbarbaro, Vic Berton, Edison Machado, Milton Banana, Rubens Barsotti.
My heroes in jazz: Duke Ellington, Count Basie, Chet Baker, Miles Davis, Ahmad Jamal, Coleman Hawkins, Teddy Wilson,
Barney Kessel, Lester Young, Johnny Hodges, Jelly Roll Morton.