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Despite becoming a genre of its own in these modern times, folk music goes deeper than that. Folk music of any culture is the music of the common peopletheir voice, a medium where thoughts and emotions have been tightly knit. It is music by the people, about the people and for the people. In a modern context, it is a well from which modern music has drawn to establish its foundation. The tradition of chalgia music is at the root of many types of popular music coming from modern Macedonia.
Recorded live, Chalgia Sound System's debut is not just merely a souvenir from the past or an attempt to relive the past, but a living and breathing music. Chalgia recordings are often rare, and they usually come from recordings dated from 30, 50 years ago with low sound quality.
The group stems from a close collaboration on another project dedicated to chalgia music, Kaldrma (Profundus, 2004), with two of its participantsoudist Dorian Jovanovic and kanun player Boshko Mangarovskicontinuing their story with Chalgia Sound System. Jovanovic, apart from his original musical background, is an outstanding player (and a student of renowned oudist Simon Shaheen). Here he is joined by fine violin, qanun and percussion in a recital of fifteen songs and two reels. However, what drives the music above alland what breathes new life into these songsis the wonderful voice of Dobrila Grasheska, whose supple, muscular voice sweeps, soars, dives and punctuates. It is a melodic vehicle, unforced and natural.
The musicianship is stellar and provides a joyous musical experience. Though the theme subjects varyas some of the songs are love songs, laments for a lost love, a lost homeland, drinking songs, or imprisonmentin the end, the whole atmosphere is upbeat, full of very melodic and strongly rhythmic music. Due to its various eastern roots, enticing and brittle oriental sounds pervade. Chalgia Sound System evokes a well of emotions, by playing with impeccable skill and virtuosity. These are some of the most moving, evocative songs ever recorded, channeling the true wealth of Macedonian traditional music
Track Listing: Stojan majka ucese; Ajde vino pijam; Kazi Jano, kazi duso; Marie, mlada nevesto; Ne vitkaj se Sofce; Dafino, vino crveno; Staro calgisko oro; Antrice, dzanam dusice; Oj Gjorusice; Ajde dali znaes, pametis Milice; Sevdalino, maloj mome; Po drum odam; Mori cupi kosturcanki; Tvojte oci, Leno; Odenje po nevestata, Kica moma mole boga; Oj Zarino; Apsana me klade
Personnel: Dobrila Graseska: vocal; Aleksandra Kuzman: violin; Boshko Mangarovski: kanun; Dorian Jovanovic: oud; Filip Krstevski: darbuka, tambourine.
I love jazz because it is a pure American music and can be expressed in different ways depending upon the artist.
I was first exposed to jazz while as a teenager I listened to Duke Ellington, Benny Goodman, and Louis Armstrong, on a jazz
radio station in New York City.