The central meaning behind pianist Art Hirahara's Central Line is simple to suss out. In literal terms Hirahara is referencing the Chuo-Sen (Central Line) subway line, a means for establishing his own relationship to the jazz world in Tokyo. But the message of the album runs deeper than that, tapping into the central lines that link person to place, past to present, culture to culture, and musician to musician. This is an exploration and manifestation of those lines that bind, and it's a fine one at that.
Nobody could've dreamed up a better crew for Hirahara to work with on this albumthe top-shelf rhythm duo of bassist Linda May Han Oh and drummer Rudy Royston rounds out the core group, saxophonist Donny McCaslin drops in a few times as a guestand the music benefits from the presence of such heavy company. But Central Line doesn't belong to the sidemen. Its intentions are still Hirahara's to have and control. Nobody would mistake this for anything but his work.
Hirahara could've used this as a showcase for running fast, free, and hard, tapping into the musical might of his bandmates, but he doesn't. Instead, he typically uses them to frame his pensive side in different ways. There are certainly moments of excitementnote the title track's rhythmic undertow, the swing unleashed on "Entanglement," and the joyous atmosphere and odd-metered groove of "Kin-Ka: Gold Coin" for confirmation. Those moments, however, don't define Central Line. Like much of Hirahara's output, this is more a thinking man's album than a call to arms. His meditative musicthe Japanese traditional "Kuroda Bushi," Kan'ichi Shomofusa's Randy Newman-esque "Yuyake Koyake," his own originals, such as "Introspect," "The Giant Catfish," and "Tracing The Line"acts as the guiding light here.
High times are all well and good, but simply nothing compares to hearing Hirahara contemplate through the keys. His musings bring you into his world, a place where contrasts and commonalities are both embraced and drawn out.
Central Line; Kuroda Bushi; Astray; Drawing With Light; Introspect; Little Giant; The Giant Catfish; Sensitive Animal; Tracing The Line; Entanglement; As Minhas Meninas; Redwood Thaw; Kin-Ka: Gold Coin; Yuyake Koyake.
Art Hirahara: piano; Linda Oh: bassl Rudy Royston: drums; Donny McCaslin: piano.
All About Jazz has been a champion of jazz since 1995, supporting it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to rigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
African Jazz Beyond Jazz Big Band Blues Brazilian Classical Dixieland / New Orleans / Swing Electronica Free Improv / Avant-Garde Fringes of Jazz Funk / Groove Fusion / Progressive Rock Hot Jazz Jam Band Latin Lounge / Exotica Modern Jazz R&B / Soul Straight-ahead (Bop, Hard bop, Cool) Vocal