Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

494

Carla Bley Big Band: Carla Bley Big Band: Appearing Nightly

C. Michael Bailey By

Sign in to view read count
Carla Bley Big Band
Appearing Nightly
WATT
2008



Bandleader and musical provocateur Carla Bley is the Hector Berlioz of jazz. Her command of her large ensembles is complete and potent. Her composition, arrangement, and adaptation are intelligent with a sophisticated sense of humor. A superb pianist, Bley's true talent lies in her ability to define and then guide an orchestra through her arrangements without veering off into parts unknown. Her relationship with big bands is long lived, beginning in the late 1960s, including the recordings Looking For America (ECM, 2003), The Carla Bley Big Band Goes to Church (ECM, 1996), Big Band Theory (ECM, 1993), and The Very Big Carla Bley Band (ECM, 1990).

The centerpoint of Appearing Nightly is the 25-minute suite “Appearing Nightly at the Black Orchid.” The suite extends the Berlioz comparison by manifesting as “program” jazz. Like Berlioz's Symphonie Fantastique, “Appearing Nightly at the Black Orchid” is a multiple-part composition that tells a story with music. Section 1: “40 on/20 off” alludes to jazz artists playing 40 minute sets with 20 minute intermissions.

The section begins with an eccentric Bley survey of jazz piano literature. The solo piano opening is a dead ringer for “My Foolish Heart” with interpolations of “As time Goes By.” This abruptly gives way to a bassist Steve Swallow-drummer Billy Drummond duet soon interrupted by a Bley hallmark: low brass and reeds weaving in and out as if tuning and in the process building toward a consonant crescendo that leads into a spontaneous tenor saxophone counterpoint and riffs, just as if the listener had walked in the door mid-tune. From there, the concert is in full swing.

Section 2: “Second Round” musically details the evening in full swing with low brass conversation dominated by a lengthy trombone solo, both Bley touchtones. Bley likes the rasp of muted and full bell 'bones and allows her collaborators full reign. This is followed by a more full-throated tenor saxophone solo that brings the section to a silent end. Section 3: “What Would You Like to Here” takes on a 1930s Duke Ellington ambiance with a plunger muted trumpet solo delivered over the plush bed of the full horn section and then, Bley's piano, which flows into her own solo.



Section 4: “Last Call” closes the suite on an upbeat note. Swallow further reveals his importance to the Bley big band sound with his high-register playing. More raspy trombone peppers the piece over muted, then open-bell brass, propels the piece to its conclusion. The suite is slightly palandromic, recalling motifs from Section 1 as the solo instruments are given eight bars alternating into a quote-heavy coda.

”Aweful Coffee” sports a Julian Argüelles baritone saxophone solo that meanders all over the map, introducing the piece. It is also a tunefest with quotes from “Salt Peanuts,” “You're the Cream in My Coffee,” “Watermelon Man,” “Life is Just a Bowl of Cherries,” “Hey Pete, Let's Eat More Meat,” and “Tea for Two” (note all having a food motif). “Greasy Gravy” slows down the tempo to a strut again featuring low reeds and brass in solos before Bley takes things for a spin herself. Bley mixes old and new arrangement forms on “I Ain't Had Nyone Till You” and “Someone to Watch,” quoting the Great American Songbook liberally and intelligently.

Comparisons of Bley's big band talents to Ellington and Charles Mingus are not hyperbole. In a field crowded with every measure of big bands, Carla Bley's Big Band stands as one of the most inventive and unique ensembles.




Tracks: Greasy Gravy; Aweful Coffee; Appearing Nightly At The Black Orchid; Someone To Watch; I Hadn't Anyone Till You.

Personnel: Earl Gardner: trumpet; Lew Soloff: trumpet; Florian Esch: trumpet; Beppe Calamosca: trombone; Gary Valente: trombone; Gigi Grata: trombone; Richard Henry: trombone; Roger Jannotta: soprano and alto saxophones, flute; Wolfgang Puschnig: alto saxophone, flute; Andy Sheppard: tenor saxophone; Christophe Panzani: tenor saxophone; Julian Argüelles: baritone saxophone Carla Bley: piano, conductor; Karen Mantler: organ; Steve Swallow: bass; Billy Drummond: drums.


Track Listing: Greasy Gravy; Aweful Coffee; Appearing Nightly At The Black Orchid; Someone To Watch; I Hadn't Anyone Till You.

Personnel: Earl Gardner: trumpet; Lew Soloff: trumpet; Florian Esch: trumpet; Beppe Calamosca: trombone; Gary Valente: trombone; Gigi Grata: trombone; Richard Henry: trombone; Roger Jannotta: soprano and alto saxophones, flute; Wolfgang Puschnig: alto saxophone, flute; Andy Sheppard: tenor saxophone; Christophe Panzani: tenor saxophone; Julian Argüelles: baritone saxophone Carla Bley: piano, conductor; Karen Mantler: organ; Steve Swallow: bass; Billy Drummond: drums.

Title: Carla Bley Big Band: Appearing Nightly | Year Released: 2008 | Record Label: Watt/ECM


Tags

comments powered by Disqus

More Articles

Read Strange Days - 50th Anniversary Deluxe Edition Extended Analysis Strange Days - 50th Anniversary Deluxe Edition
by Doug Collette
Published: December 9, 2017
Read Trouble No More - The Bootleg Series Vol. 13 / 1979-1981 Extended Analysis Trouble No More - The Bootleg Series Vol. 13 / 1979-1981
by Doug Collette
Published: November 19, 2017
Read Love, Gloom, Cash, Love Extended Analysis Love, Gloom, Cash, Love
by Patrick Burnette
Published: October 21, 2017
Read Motel Shot: Expanded Edition Extended Analysis Motel Shot: Expanded Edition
by Doug Collette
Published: July 16, 2017
Read Sgt. Pepper’s Lonely Hearts Club Band 50th Anniversary Super Deluxe  Edition Extended Analysis Sgt. Pepper’s Lonely Hearts Club Band 50th...
by Doug Collette
Published: May 27, 2017
Read "The Rascals: The Complete Singles A's & B's" Extended Analysis The Rascals: The Complete Singles A's & B's
by Doug Collette
Published: April 1, 2017
Read "Thelonious Monk: Les Liaisons Dangereuses 1960" Extended Analysis Thelonious Monk: Les Liaisons Dangereuses 1960
by Nenad Georgievski
Published: April 9, 2017
Read "Way Down Inside: Songs of Willie Dixon" Extended Analysis Way Down Inside: Songs of Willie Dixon
by Doug Collette
Published: February 18, 2017
Read "Chick Corea: The Musician" Extended Analysis Chick Corea: The Musician
by John Kelman
Published: May 2, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!