18

São Paulo Underground: Cantos Invisíveis

Karl Ackermann By

Sign in to view read count
São Paulo Underground: Cantos Invisíveis
In the spring of 2015 Rob Mazurek's São Paulo Underground expanded their touring formation and added "Black Cube SP" to their name for a tour that briefly made stops in the U.S. The enlarged group featured the addition of Thomas Rohrer on rabeca, a Brazilian viola. Rohrer, a Swiss native transplanted in Brazil was part of Mazurek's sextet on Return the Tides: Ascension Suite and Holy Ghost (Cuneiform Records, 2014) but had not yet been fully introduced to U.S. market audiences. On Cantos Invisíveis Rohrer returns in a pivotal multi-instrumental role.

Rohrer is not alone in multi-tasking on the album. All members of SPU manage at least five instruments in the course of the nine original compositions. Mazurek owns or shares the writing credits on seven and percussionist (primarily) Mauricio Takara contributes two individual pieces. A full half-hour of the sixty-one minute album is consumed in the long, involved, opening and closing pieces.

With the opening "Estrada Para o Oeste," we hear SPU in one of their most enjoyable modes—that of skewed Brazilian influences filtered through an array of instruments, effects and voices and a mind-boggling density of sound. Takara's cavaquinho (a small Portuguese guitar instrument) and Rohrer's rabeca (a Brazilian variation of the viola) add an exotic and shadowy feel to "Cambodian Street Carnival." "Lost Corners Boogie" is the most fusion oriented piece on Cantos Invisíveis with its electronics eventually falling into a ruptured rhythm. There is a repetitive tribal atmosphere in the satisfying "Olhaluai" flowing beautifully into the melodic "Of Golden Summer." The sixteen-plus minute closer "Falling Down From the Sky Like Some Damned Ghost" takes its time in building, swept up in a flurry of synth effects until Mazurek's ethereal cornet delicately closes the piece.

Cantos Invisíveis has all the intangible qualities that have become the hallmark of Mazurek's work. Approachable even its occasional lack of identifiable markers, there is a warmth in the midst of incomparable musical acrobatics. The spirituality in Mazurek's work is deeply personal and his ability to share the same with his audience has been his unparalleled contribution to music.

Track Listing

Estrada Para o Oeste; Violent Orchid Parade; Cambodian Street Carnival; Lost Corners Boogie; Desisto II; Fire and Chime; Olhaluai; Of Golden Summer; Falling Down From the Sky Like Some Damned Ghost.

Personnel

Rob Mazurek: cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice; Mauricio Takara: drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice; Guilherme Granado: keyboards, synthesizers, sampler, percussion and voice; Thomas Rohrer: rabeca, flutes, soprano saxophone, electronics, percussion and voice.

Album information

Title: Cantos Invisíveis | Year Released: 2017 | Record Label: Cuneiform Records

Post a comment about this album

Watch

Tags

Shop Amazon

More

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.