Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

7

Ben Tyree/BT3: Burn it! LIVE

Ian Patterson By

Sign in to view read count
Even prior to moving to New York from his native Washington DC in 2002 Ben Tyree was genre-bending in Miscellaneous Flux, fusing hip-hop, jazz and punk vocabulary. His outright debut as leader, re:Vision (Sonic Architectures, 2010) was a hard-grooving take on contemporary jazz-fusion featuring DJ Logic and John Medeski. That template flew out the window on Thoughtform Variations (Sonic Architectures, 2012), a bold solo acoustic venture of sophisticated harmonics and alternative tunings that drew on jazz, folk, blues and classical influences. Tyree's trajectory thus far, it seems, has been onwards and upwards, which is what makes the retro release Burn It! LIVE something of an oddity.

Recorded in 2010 at the Brooklyn Academy of Music, Burn It! LIVE is essentially a live version of BT3:re:vision, with Tyree, bassist Kevin Farrell and drummer Lawrence Qualls ripping it up. Naturally, the music sounds raw compared to the more finely sculpted studio version but the mixing isn't always great and the overall sound is a little muddy; on the bebopish "Acquisition"—where Tyree's searing blues-inflected lines reveal his admiration for Bud Powell and Charlie Parker—the thumping bass drum is annoyingly prominent in the mix.

Sound technicalities aside, however, the playing is uniformly impressive, with the trio steering between delicate intricacy and full-on, power-trio charge, as on "The Roots Run Deep." Tenor saxophonists V. Jeffrey Smith and Stacy Dillard reprise their re:Vision roles and bring an irrepressible jazz-funk groove to the mix. Dillard blows hard on the funk-heavy, rhythmically dense "Dizzle McSizzle" before Tyree unleashes a fuzz-edged solo that goes straight for the jugular. The infectious "Because We Can"—bookended by a killing saxophone/guitar motif—follows suit, with Smith's billowing lines giving way seamlessly to Tyree's foot-to-the-floor metal volley.

Tyree's percussive drive is as significant a part of his vocabulary as his searching improvisations and he forms an intuitive rhythm team with Farrell and Qualls. The trio's rhythmic chemistry is pronounced on the jam-like "Telekinesis," where bassist and drummer really get to stretch out. The trio is persuasive at slower tempos too, as on the laid-back intro to "Song of Hope" and "The Search," where lyricism is to the fore. Both tracks see the trio patiently build towards increasingly assertive narratives, notably on the latter where Tyree's initially delicate fretwork contrasts with the intense Robert Fripp-esque soundscapes and stormy percussion that follows.

Tyree has the knack of penning memorable melodic hooks and the head to the slow-burning "Shapeshifter" is another fine example. The guitarist moves between smoking blues and avant-garde pedal effects in a lively extended passage before revisiting the seductive opening motif one final time. A gutsy set concludes with the up-tempo "Drop Back," where tight trio interplay paves the way for one of Tyree's most expansive and blistering solos.

BT3's tightly woven musical storybook bristles with energy and seduces with equally deft passages of unabashed lyricism. Burn It! LIVE undoubtedly serves as a powerful document of where Tyree's trio was at the beginning of the decade, yet four years after the release of re:Vision a more contemporary live recording might have told an even more compelling tale.

Track Listing: The Roots Run Deep; Telekinesis; Acquisition; Shapeshifter; Dizzle McSizzle; The Search; Because We Can; A Song of Hope; Drop Back.

Personnel: Ben Tyree; guitar; Kevin Farrell; bass; Lawrence Qualls: drums; V. Jeffrey Smith; tenor saxophone (7); Stacy Dillard: tenor saxophone (5).

Title: Burn it! LIVE | Year Released: 2014 | Record Label: Sonic Architectures


Tags

Related Video

comments powered by Disqus

More Articles

Read Lattice CD/LP/Track Review Lattice
by John Sharpe
Published: December 14, 2017
Read I Think I’m Going To Eat Dessert CD/LP/Track Review I Think I’m Going To Eat Dessert
by Mark Corroto
Published: December 14, 2017
Read Celebrating William Parker at 65 CD/LP/Track Review Celebrating William Parker at 65
by Victor L. Schermer
Published: December 14, 2017
Read Eternal Life CD/LP/Track Review Eternal Life
by Jerome Wilson
Published: December 14, 2017
Read Baby It's Cold Outside CD/LP/Track Review Baby It's Cold Outside
by Dan Bilawsky
Published: December 13, 2017
Read Wrong Turns And Dead Ends CD/LP/Track Review Wrong Turns And Dead Ends
by Mark Sullivan
Published: December 13, 2017
Read "Reclamation" CD/LP/Track Review Reclamation
by Glenn Astarita
Published: November 18, 2017
Read "Forage" CD/LP/Track Review Forage
by Dan McClenaghan
Published: February 16, 2017
Read "The Busker" CD/LP/Track Review The Busker
by Glenn Astarita
Published: May 30, 2017
Read "Passin' Thru" CD/LP/Track Review Passin' Thru
by Dan Bilawsky
Published: July 12, 2017
Read "Promethean" CD/LP/Track Review Promethean
by David A. Orthmann
Published: July 3, 2017
Read "Ugly Beautiful" CD/LP/Track Review Ugly Beautiful
by Dan McClenaghan
Published: March 6, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!