Barney Bigard & Art Hodes: Bucket's Got a Hole In It

Remarkably these sessions were the first time Bigard and Hodes had ever recorded together, the product of perennially busy schedules as in-demand leaders and sidemen. Though a long time in the works their eventual meeting proved well worth the wait. The emphasis is rightfully on having a collective good time rather than proving anything that has already long since been proven by their respective careers. From the bar-room vernacular of the title track featuring the multifaceted drum work of the always swinging Barrett Deems to the leisurely bed-room winks of “Makin’ Whoopee” the music is consistently enjoyable. A further benefit lies in the producers’ decision to mixes the tunes up between quartet and sextet groupings of the musicians. The tunes adding Trottier and Brunis fill out the ensemble sound with attractive brass accents whereas the quartet numbers focus rightful attention on Bigard and Hodes as soloists. It’s a nice balance that keeps the program interesting and avoids stale repetition. Bigard’s clarinet musings that shift from ruminatively quiet to boisterously rowdy and back again on “Three Little Words” are an excellent example of the mood set by the musicians. In sum, this disc delivers a welcome chance to revisit these players in their twilight years, reminiscing on the classics and still having a swell time doing it. Anyone who harbors a love classic New Orleans jazz should take the time to give this historic meeting their time and attention.

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