What sort of a year did jazz have in 2011? On the evidence of my Top Ten, a very varied and fascinating one. The human voice did wellLiane Carroll and Kaz Simmons produced beautiful, engaging and honest recordings that stir the emotions in very different ways. Finland did alright too, thanks to superb albums from Iiro Rantala and Verneri Pohjola. And the '50s and '60s also manage to claim two of the Top Ten spots, with retrospectives from Joe Harriott and Jan Johansson that should help to expand the reputations of both musicians. Instruments of the year? Well, the clarinet family might lay claim to that award. It's been a good year for the ursine community as wellwho can resist Bears In Cowboy Hats, especially when (ably assisted by Daniel Bennett) they create such a life-affirming mix of jazz and Americana?
So here, in my humble opinion, are ten of the best of 2011:
Learning Jazz gave me a masters degree in music. Jazz is American Classical Music, came
out of a need to be heard, to be understood, a voice when black America did not have one.
This is why the music is more than just an art form, it was created from blood, guts and heart
of those who suffered in this world. Its not to be taken lightly. If you do take it lightly it will
never sound right. Thank you to all the courageous musicians who made the world hear
them, their innovation came out of their experiences of the time that they lived. A treasure to
the world. American Classical Music. Imitate, Assimilate, Innovate a quote by Clark Terry.