Anne Mette Iversen Best of the West + Many Places BJU Records 2007
Brooklyn continues to be a beautifully complementary alternative to the New York scene. The music that comes out of this borough is bold and audacious yet also eminently listenable and highly engaging. The independent artist-run Brooklyn Jazz Underground (BJU) label has as its stated goal the production of "creative and adventurous contemporary improvised music" on "quality recordings that define the shape of today's jazz." Here are two fine examples of that aesthetic.
Alexis Cuadrado is a talented bassist and composer who is the co-founder of the BJU label. He shows himself on Puzzles to be a talented soloist who also knows how to write music that calls forth a group spirit as well as the notion of individual voices. And he does so with a sense of the possibilities inherent in a wide swath of American music.
The feeling hits you right out of the box as "Bright Lights" comes at us with a kind of pop/island feel. The ever-appealing Loren Stillman plays the main theme on the soprano with a pure, clear tone that calls the listener both to dance and listen. Each of the players follows with concisely expressive solo statementsguitarist Brad Shepik wailing 'fuzzily,' the leader smartly getting down, Stillman once again displaying a funky intelligence in a lovely solo that leads back to the opening theme. The compositions have all the feel of a classic approach with some new avenues subtly explored. There are grooves galore here, some beautiful abstraction and some good old-fashioned Blue Note-like tunes.
The other leader/composer here is also a bassist. Anne Mette Iversen has a background in jazz and classical composition and so the first part of her two-disc set <.i>Best of the West + Many Places is laid out like a classical work and the sound of the groupthe leader with John Ellis (tenor and soprano saxophones), Danny Grissett (piano) and Otis Brown III (drums)is augmented by a string quartet that adds color and some truly intriguing textures. The strings are never just there to play under the jazz group; it's a vital voice on its own that never sounds out of place in a jazz context. The whole disc is a suite and thus there's a progression of ideas. None of the eight players calls attention to themselves yet each has an important role to play in the overall direction of the music.
The second disc in the set collects music written over the course of the three years in the Iversen group's recording history. This is a more standard jazz quartet album with every player given a shot to burn and shine. The first tune"Cataldo One"is a powerfully appealing example of the composer's way with a tune and just how well her players absorb her lessons and make music that moves them forward.
Tracks and Personnel
Tracks: Bright Light; Levittation; Quintessential; Abstract Rhythm; B&W Pop; Canon; 8 and 1/2; Tango; East 10th Shuffle.
Personnel: Alexis Cuadrado: bass; Loren Stillman: saxophone; Brad Shepik: guitar; Mark ferber: drums; Alan Ferber: trombone; Pete Rende: organ.
Best of the West + Many Places
Tracks: North; South; West; North; North West; North East Cataldo One; Cataldo Ballad; Out of the Atlantic; Many Places; Sambavian; Milo Man; 2004; The Square in Ravello; Pjerrot's Smile.
Personnel: Anne Mette Iversen: bass; John Ellis: tenor and soprano saxophones; Danny Grissett: piano; Otis Brown III: drums; Tine Rudolph, Sarah McClelland Jacobsen: violins; Anne Lindeskov: viola: Mats Larsson: cello.
I was first exposed to jazz while working overseas in Africa as a Peace Corps Volunteer. I would listen to the Voice of America on the radio and they had a nightly jazz program on at 10:00pm. I learned a lot about jazz listening to this program. I also had a friend who listened to real jazz by artists like Charles Mingus, Eric Dolphy and Archie Shepp. On my way home from Africa I landed in New York and had the opportunity to see the George Adams/Don Pullen quartet at the Village Vanguard as well as Kenny Barron and Ron Carter at another club, and was in heaven.