All About Jazz

Home » Articles » Live Reviews

425

Brian Patneaude at the Massry Center for the Arts in Albany, NY

By

Sign in to view read count
Brian Patneaude
Massry Center for the Arts
Albany, NY
February 7, 2009


After a brief delay, Brian Patneaude and company took the stage at the Massry Center for the Arts to enthusiastic applause from the near-capacity crowd. Without a moment's hesitation, the group launched into the title track from Riverview, Patneaude's lastest album. Joining the saxophonist at the College of Saint Rose's newly constructed arts center were guitarist Mike Moreno, organist Jesse Chandler, and the Quartet's regular drummer, Danny Whelchel.


This evening's performance celebrated the release of the leader's new album, which departs from Patneaude's previous work by placing the saxophonist in an organ trio context. All of the tunes from tonight's show came from that album, which Patneaude dedicated to his mother and her recent recovery from breast cancer. Indeed, the title tune has a celebratory feel, a funky mid-tempo groove featuring a glittering solo from Moreno and a commanding, muscular solo from Patneaude.



Throughout the evening, Patneaude proved himself a democratic leader. The solo order rotated, preventing any one player from dominating the proceedings but affording each member of the quartet a spotlight moment. Towards the end of "By Reason of the Soil," the second number of the evening, Jesse Chandler—who played a Roland VK-7 clonewheel organ—embarked on what can only be described as an ecclesiastical/psychedelic solo, featuring spacey effects worthy of Rick Wakeman. The Houston-based Chandler is a soloist in the Larry Young/Sam Yahel mold; more cerebral than straight-out funky.



New York-based guitarist Mike Moreno was featured on a beautiful and moving rendition of Billy Strayhorn's "Chelsea Bridge." Drummer Danny Whelchel kicked off "Drop" with an extended drum solo that literally rocked the house.



Appropriately, however, the evening belonged to Patneaude. His solo on "By Reason of the Soil" began gently, gradually gaining in strength until the soloist was practically shouting from the rooftops. Other highlights included his solos on "Release" and a tune that has become a signature piece, "Jolo," with which he closed the show. Patneaude's approach to his horn most clearly demonstrates the influence of the late Michael Brecker, yet he has his own unique voice, which has only strengthened since his recording debut on 2003's Variations.



The poll-winning young saxophonist has become one of the most prominent jazz voices in New York's Capital Region. This performance gave proof, if proof were needed, that youthful, vibrant jazz still exists outside of New York City.

Tags

Related Video

comments powered by Disqus

Aimless Antithesis

Aimless Antithesis

Brian Patneaude
All Around Us

Riverview

Riverview

Brian Patneaude
Riverview (feat. Mike Moreno,...

Exit

Exit

Brian Patneaude
As We Know It

Release

Release

Brian Patneaude
Distance

CD/LP/Track Review
Read more articles
All Around Us

All Around Us

WEPA Records
2012

buy
Riverview

Riverview

WEPA Records
2009

buy
As We Know It

As We Know It

WEPA Records
2008

buy
As We Know It

As We Know It

WEPA Records
2007

buy
Distance

Distance

WEPA Records
2005

buy
Variations

Variations

WEPA Records
2003

buy

Related Articles

Read Athens Aqua Jazz Festival 2018 Live Reviews
Athens Aqua Jazz Festival 2018
by Francesco Martinelli
Published: July 14, 2018
Read Hot Sugar at Jazz Cafe Montparnasse Live Reviews
Hot Sugar at Jazz Cafe Montparnasse
by Martin McFie
Published: July 14, 2018
Read Festival International De Jazz De Montréal 2018: Part 2 Live Reviews
Festival International De Jazz De Montréal 2018:...
by Mark Sullivan
Published: July 13, 2018
Read Django Festival in Fontainbleu Live Reviews
Django Festival in Fontainbleu
by Martin McFie
Published: July 13, 2018
Read Istanbul Jazz Festival 2018 Live Reviews
Istanbul Jazz Festival 2018
by Luke Seabright
Published: July 12, 2018
Read Summer Jazz and Fringe Jazz Fest in Copenhagen Live Reviews
Summer Jazz and Fringe Jazz Fest in Copenhagen
by Jakob Baekgaard
Published: July 12, 2018
Read "2018 Hope College Jazz Organ Summit" Live Reviews 2018 Hope College Jazz Organ Summit
by C. Andrew Hovan
Published: March 23, 2018
Read "Gary Peacock Trio at the Regattabar Jazz Club" Live Reviews Gary Peacock Trio at the Regattabar Jazz Club
by Nat Seelen
Published: December 27, 2017
Read "Lean On Me: José James Celebrates Bill Withers @ NYC Winter Jazzfest" Live Reviews Lean On Me: José James Celebrates Bill Withers @ NYC...
by Dan Bilawsky
Published: January 15, 2018