Classically trained pianist turned organist Brian Charette is an accomplished master of the Hammond B3 with an elegant yet passionate touch. His signature style imbues the many recordings of his various ensembles with a light, crisp sound and an effervescent melodicism that is, unapologetically, mainstream without being pedestrian. In 2014 Charette cut two charmingly seductive albums that delight and gratify without experimenting with innovation or breaking any radically new ground.
Brian Charette The Question That Drives Us Steeplechase Records
His sixth release on the Danish Steeplechase label The Question That Drives Us
finds him in the company of his unique sextet of four reedmen and a drummer as they work through ten of Charette's creations and saxophone legend Charlie Parker
's "Moose the Mooche." The latter is a vibrant, up-tempo interpretation of the bop standard with altoist Mike DiRubbo
's intelligent and inventive improvisation sandwiched between flutist Itai Kriss' agile and exuberant one and Charette's own ebullient and meandering chords.
Kriss' resonant notes soar over Charette's sonic waves on the undulating and expansive "The Question That Drives Us." The thematic core of this fantastical ballad is a tapestry of overlapping woodwind phrases woven tightly around Charette's emotive and acerbic keys. DiRubbo brings a poetic flair to his turn in the spotlight while tenorist Joel Frahm
adds a warm, earthy touch with his.
A cinematic sense runs through the entire record from the funky "Answer Me" to the intriguing "Blazinec." The former features a soulful groove and a gritty swagger reminiscent of 1970s urban crime soundtracks. Drummer Jochen Rueckert
shines with his acrobatic polyrhythms that move along Charette's greasy thick organ lines.
The latter is the most inventive of the disc with the band members engaging in free flowing yet mellifluous and contemplative conversations. Charette's tight, silken organ contrasts nicely with the horns' slight angularity. Bass clarinetist John Ellis
' cool reverberations mark his lilting song while Frahm's gritty tone peppered with hints of vibrato characterizes his deep soliloquy.
The tracks also swing loose and hard and none as much as the alluring "5th Base." Ellis' woody timbre and buoyant, darkly hued sound soar over the percolating and gripping group play. The rest of the musicians take brief, tasteful solos that, as on the rest of this enjoyable session gracefully augment the main theme but do not venture far from it.
Brian Charette Square One Posi-Tone
On his second release of the year Square One
on the Los Angeles based Posi-Tone label Charette showcases his virtuosity on his instrument in a sparse, and more traditional, setting accompanied only with guitar and drums. Charette leads his sidemen through nine of his compositions and one each by tenor saxophonist Joe Henderson
and vocalist/keyboardist Art Neville
The Henderson piece, made famous by organist Larry Young
on his landmark Unity
(Blue Note, 1966), is a showcase for drummer Mark Ferber
's unfettered, stormy and exhilarating flights of fancy. Charette and guitarist Yotam Silberstein
take turns dueting with Ferber and egging him on further.
Silberstein brings his loose, laidback yet simmering strings to center stage on the most eclectic of the CD, the psychedelic "People on Trains." The intricately constructed motifs give way to Charette's circular and otherworldly reverberations and his intelligent, impressionistic bars.
The trio builds a vivid shimmering ambience on the fusion-esque "Things You Don't Mean." Charette's thick, expressive harmonies underlie Silberstein's blistering, electrifying swells as the two take turns elegantly embellishing the melody.
Charette brings a churchy feel to the elegiac "Ten Bars for Eddie Harris." This hard driving, viscerally moving and tender original accentuates Silberstein's haunting guitar work and Charette's own edgy but reserved extemporization. Ferber's rumbling drums, over Charette's gospel like chanting keys close the tune on an exalted mood.
Charette's romantic side is on display on "Three for Martina," a sweet (but not syrupy) paean to his girlfriend. His suave, sleek spontaneous expression flows with iridescence hues and contrast with Silberstein's equally heartwarming yet denser strums. The Question That Drives Us
and Square One
are intellectually attractive and aurally pleasant musical works. Charette maintains the compelling momentum, on both from start to finish. With his superlative musicianship and leadership skills he assures a uniformly high artistic quality on both disc even in the absence of anything ingeniously cutting edge or trailblazing.
Tracks and Personnel The Question That Drives Us
Tracks: Blazinec; The Question That Drives Us; Medium Up; Answer Me; Labor Day; Svichkova; 5th Base; #9; Denge Merenge; I Came So Far To See You; Moose the Mooche.
Personnel: Brian Charette: Hammond B3 organ; Itai Kriss: flute; Mike Dirubbo: alto saxophone; Joel Frahm: tenor saxophone; John Ellis: bass clarinet; Jochen Rueckert: drums. Square One
Tracks: Aaight!; If; Three for Martina; People on Trains; True Love; Ease Back; Time Changes; A Fantasy; Yei Fei; Things You Don't Mean; Ten Bars For Eddie Harris.
Personnel: Brian Charette: organ; Yotam Silberstein: guitar; Mark Ferber: drums.