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Drummer Steve Grover may or may not be a practicing Buddhist, but he plays drums with a lightness and clarity that my friends doing daily Buddhist meditation might well envy. The title cut on this engaging album is a strikingly original Grover composition where the trio members sound like they are breathing together with a kind of musical and spiritual unity rarely heard in studios or concert stages. Pianist Frank Carlberg, while sounding influenced at times by Keith Jarrett or Mike Nock, contributes a heady impressionism to Grover's nine original open-ended tunes, and bassist Chris Van Voorst Van Beest is as nimble and musically adroit a player as one could wish for in this setting.
The meditational image that came to mind when I first heard this album – and that impression lingers – has much to do with the extraordinary delicacy with which Grover plays. He gives a great deal of solo space to Carlberg throughout the album, but every Grover solo is developed with a crystaline logic that never seems to spotlight his ego as much as the music's necessary flow. The nine compositions tend to flow into one another, with a cameo on the final tune by talented tenor saxophonist Andrew Rathbun a crowning touch.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.