Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
2

Robert Hurst: Bob a Palindrome

Hrayr Attarian By

Sign in to view read count Views
Robert Hurst: Bob a Palindrome Bassist and composer Robert Hurst's sixth release as a leader Bob a Palindrome crackles with excitement and brims with innovative ideas. Leading a superlative ensemble made up of long time collaborators, Hurst presents eight of his compositions that range from the impressionistic to the intimately poetic.

The pièce de résistance is the dramatic three part "Middle Passage Suite" that unfolds with an Ellingtonian (pianist, bandleader composer Duke Ellington) flair. The first section opens with percussionist Adam Rudolph setting an ominous ambience with his rumbling beats and rattling shakers. Rudolph together with Hurst's bowed bass drone and drummer Jeff "Tain" Watts' crashing cymbals conjures images of a dark stormy sea. Hurst and Rudolph provide the framework for the second act with their somber and hypnotic continuously evolving vamp with North African sensibilities. Hurst's pensive and edgy pizzicato bass raises the curtain on the third. The movement features a passionate adlib dialogue between saxophonist Branford Marsalis' blistering and articulate soprano and reedman Bennie Maupin's gritty and intelligent tenor. The soulful piece closes with a delightful cacophony that is at once melancholic, lively and tinged with exuberance and rage.

In contrast, the deceptively simple melodies that form the foundations of both "Big Queen" and "Little Queen" are warm and lyrical with a Latin lilt to them. Trumpeter Marcus Belgrave's cool, clean and full-bodied flugelhorn blows over the bubbling hot rhythms and reeds on the former. Pianist Robert Glasper's Cubanesque improvisation cascades over the dark, horn driven vamps that conclude the tune. On the latter Glasper switches to Fender- Rhodes, as his shimmering resonant keys sound vaguely like vibraphone bars as he thrills with an intelligent, sing song extemporization. Marsalis' warm, serpentine soprano develops into an idyllic and imaginative ode.

In addition to being an intriguing composer and a consummate bandleader, Hurst excels at spontaneous creativity. His mellow, deep con arco bass on the fantastical "3 for Lawrence" is fluid in its virtuosity and complex in structure. The track also showcases Maupin's muscular and agile alto flute that undulates with an almost a Levantine touch.

Full of stimulating and clever musical twists, ardent and eloquent soloists and a thematic coherence, this superb album is destined to be a classic.


Track Listing: 3 for Lawrence; Picked from Nick; Big Queen; Tigers On Venus; Middle Passage Suite Part I- For Those of Us Who Made It; Middle Passage Suite Part II- For Those of Us That Didn't Make It ; Middle Passage Suite: Part III - For Those of Us Still Here; Little Queen; Indiscreet in Da Street; Jamming - A.K.A. Ichabad.

Personnel: Robert Hurst: bass; Branford Marsalis: soprano and tenor saxophones, Robert Glasper: piano and keyboards; Marcus Belgrave: trumpet and flugelhorn; Bennie Maupin: alto flute, bass clarinet, soprano and tenor saxophones; Jeff "Tain" Watts: drums; Adam Rudolph: percussion.

Year Released: 2013 | Record Label: Bebob Records


Extended Analysis
CD/LP/Track Review
Bailey's Bundles
Multiple Reviews
CD/LP/Track Review
Read more articles
BoB: a Palindrome
BoB: a Palindrome
Bebob Records
2013
buy
Bob a Palindrome
Bob a Palindrome
Bebob Records
2013
buy
Bob Ya Head
Bob Ya Head
Bebob Records
2011
buy

More Articles

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.