Blue Plate Special is San Francisco Bay Area guitarist Will Bernard's fifth release as a leader and his second for Palmetto Records, following the star-studded groove-fest, Party Hats (2007). Dispensing with the additional horns and guest instrumentalists of previous releases, this session features Bernard as the leader of a stripped-down quartet. The relatively spare setting allows greater focus on his highly rhythmic approach to the guitar, with an emphasis on the empathetic interplay with his principle sideman, keyboardist John Medeski.
An eclectic and adventurous artist, Bernard's early career established his wide-ranging aesthetic. His seminal late-Eighties membership in saxophonist Peter Apfelbaum's pan-ethnic Hieroglyphics Ensemble led to his rise in prominence as a member of the high-profile late-Nineties guitar-slinging collective T.J. Kirk (with fellow guitarists Charlie Hunter and John Schott).
Accompanied by a stellar band, Bernard's quartet features three of today's most impressive jazz-funk virtuosos. Gov't Mule bassist Andy Hess and renowned Galactic drummer Stanton Moore are a tight and formidable rhythm section, able to navigate an endless variety of pneumatic beats and quick turnarounds with ease. A perfect foil for the leader, Medeski extracts a pungent vein of textures from his usual assortment of analog keyboards, conjuring distorted sheets of sound on the menacing "571" and scintillating tones on the surf-influenced "Gen Pop."
As comfortable churning out searing funk as he is waxing poetic on cinematic ballads, Bernard is an equally tasteful tunesmith. His infectious rhythms, catchy melodies and tight harmonies offer resilient structures for the quartet to expound upon. They stretch out, varying the dynamics while drifting briefly into outside territory without ever leaving formal constraints behind.
Dominated by ebullient jazz-funk, but encompassing a plethora of styles and genres, the tunes range from Hendrixian lyricism ("571"), psychedelic Afro-beat ("Blister") and reverb drenched exotica ("Gen Pop"), to carnivalesque ska ("Gonzo"), blistering soul-jazz ("Fast Fun") and Stax-inspired roadhouse blues ("Frontwinder").
A refreshing example of intelligent party music, Blue Plate Special is another document that reinforces Bernard's reputation as a talent deserving wider recognition. Fans of old school funksters like Medeski, Martin & Wood, Galactic and Zony Mash would be well advised to check this out.
Track Listing: Baby Goats; Magpie; Blue Plate Special; 571; Blister; Gen Pop; Awanna; Fast Fun; Frontwinder; Gonzo; How Great Thou Art.
Personnel: Will Bernard: guitar; John Medeski: Hammond organ, Wurlitzer organ, Wurlitzer electric piano, Moog Voyager, acoustic piano, Hohner clavinet; Andy Hess: bass; Stanton Moore: drums.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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