Charles Davis is one of those musicians who has capably plied his craft for over 50 years, working alongside disparate characters like Sun Ra and Thad Jones while garnering little or no commercial recognition for his meager but excellent output as a leader. On Blue Gardenia everything about Charles Davis and his playing smacks of hard bop from the '50s and '60s. What kind of sound does he have? Imagine if Dexter Gordon had played baritone saxophone rather than tenor. That is what Charles Davis sounds like. Now, also imagine if Harry Carney played tenor rather than baritone and that is also what Charles Davis sounds like. It is this special dichotomy that best describes this veteran's formidable tone and considerable talent.
"Beautiful Friendship" and "Texas Moon" demonstrate the huge universe of Mr. Davis' tone. At 70, he blows with more conviction and experience than most horn players half his age. Davis finds an empathic soulmate in the exquisite pianist Cedar Walton, who blends well with the leader's muscular sound. Bassist Peter Washington and drummer Joe Farnsworth round out the superb rhythm section backing the saxophonist. Straight-ahead saxophone jazz rarely gets better than this.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!