138

Bill MacKay and Sounds of Now: Bill MacKay and Sounds of Now

Mark F. Turner By

Sign in to view read count
Bill MacKay and Sounds of Now: Bill MacKay and Sounds of Now Jazz has always been a reflection of diversity and culture. It has grown to embrace the roots of ethnic music originating from global sources. Just as it has flourished in America, its branches have extended to encompass many other musical styles. Some of that can be heard on Sounds of Now, by Chicago guitarist Bill MacKay, who loosely defines the music as "broken or "garage jazz (relating the idea of a broken bottle into which various musical elements have seeped).

MacKay, a versatile guitarist, can play in modes ranging from mainstream to modern, as recently heard on violinist SavoirFaire's Running Out of Time. Now performing his own music, the sounds are more melodic, complex, and insightful. Like broken glass, the music glimmers, with its various shards illuminating influences like rock, blues, and folk music. This becomes apparent on "Soul in Violet as the quartet opens with a picturesque melody colored by the rustic presence of a banjo.

Giving way to a western rural motif, "Illumination is also marked by soulful playing and nice soloing by MacKay and saxophonist Greg Ward, with slight touches of free jazz and good interaction. MacKay's playing is skillful as he fills the spaces with intricate chords, thoughtful notes, and a pleasing tone on the gentle "Sleepwalking.

Overall the music is balanced by equal amounts of harmony and exploration, and everyone gets time to express themselves. The "garage presence comes into play on the closing "Serpentine, whose mellow rawness is filled with various textures, phrasings, and layered solos. If this seems a little hard to describe, that's because it is. Like a sponge, modern jazz soaks up a variety of sounds, and interesting and unique recordings like this one occasionally seep out.

This recording is available from CD Baby on the web.

Track Listing: Soul in Violet; Illumination; Sleepwalking; Idyll; The Bystander; Serpentine.

Personnel: Bill MacKay: guitar; Bud Melvin: banjo (1); Charles Rumback: drums; Greg Ward: alto saxophone; Kyle Hernandez: bass (1-3,6); Todd Hill: bass (1,4-6).

Year Released: 2005 | Record Label: Self Produced | Style: Modern Jazz


Shop

More Articles

Read Malnoia CD/LP/Track Review Malnoia
by Dan Bilawsky
Published: April 24, 2017
Read Get 'Em CD/LP/Track Review Get 'Em
by Dan McClenaghan
Published: April 24, 2017
Read Radioactive Landscapes EP CD/LP/Track Review Radioactive Landscapes EP
by Troy Dostert
Published: April 24, 2017
Read Wake Up Call CD/LP/Track Review Wake Up Call
by Glenn Astarita
Published: April 24, 2017
Read The Many Minds of Richie Cole CD/LP/Track Review The Many Minds of Richie Cole
by Rob Rosenblum
Published: April 24, 2017
Read LifeCycle CD/LP/Track Review LifeCycle
by Dan Bilawsky
Published: April 23, 2017
Read "Blood" CD/LP/Track Review Blood
by Dan McClenaghan
Published: June 14, 2016
Read "Taking Direction" CD/LP/Track Review Taking Direction
by Marithe Van der Aa
Published: April 4, 2017
Read "Twin" CD/LP/Track Review Twin
by Fiona Ord-Shrimpton
Published: April 6, 2017
Read "Music of Weather Report" CD/LP/Track Review Music of Weather Report
by John Ephland
Published: October 16, 2016
Read "Live North America 2016" CD/LP/Track Review Live North America 2016
by Doug Collette
Published: March 18, 2017
Read "Duke Ellington's Treasury Shows - Vol. 21" CD/LP/Track Review Duke Ellington's Treasury Shows - Vol. 21
by Chris Mosey
Published: August 11, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM RECORDS | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!