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Bill Frisell: Hurricane Harvey Relief: A Compilation From His Live Download Series

John Kelman By

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Bill Frisell
Hurricane Harvey Relief: A Compilation From His Live Download Series

Many musicians may use their celebrity to speak out about issues that matter to them, but only a relatively precious few are actually prepared to put the time, effort and money where their mouths are, creating contexts where much- needed funds can be raised to support those causes. It's even better when they do so in a way that rewards fans who donate to such worthwhile efforts with something tangible, as an expression of gratitude.

Since 2008, Bill Frisell has released a series of download-only live performances from across his long and varied career. Beyond the opportunity to hear high quality soundboard recordings of material that many will only have encountered, so far, on studio albums from In Line (ECM, 1983) through to Beautiful Dreamers (Savoy Jazz, 2010), the Live Download Series—now 21 titles strong—also provides the chance to experience lineups that have never been heard on any of the guitarist's many commercial recordings.

With the massive damage incurred by recent hurricane activity in the southern USA and Puerto Rico, Frisell and his team have put together Hurricane Harvey Relief: A Compilation From His Live Download Series. Culled from five of his Live Download Series releases, Hurricane Harvey Relief not only serves as a good introduction for those who've yet to dip their toes into the series; as a recent press release, first issued on September 18, 2017, makes clear, "Everyone affiliated with this project is donating their royalty or time for this relief effort." It's clearly a win-win.

With the five shows represented already reviewed extensively at All About Jazz, there's little need to go into extensive detail about the individual releases. What's important is that all but one of these seven tracks document lineups that have never before been heard, in precisely these constellations, on any of Frisell's commercial recordings. While it would be impossible to suggest that these tracks are the "best of the best" from the guitarist's Live Download Series, their specific selection and sequencing makes for a compelling 65 minutes of prime Frisell.

From a 2003 Hungary performance released as Live Download Series #011 (2010) and featuring longtime pedal steel and lap steel guitarist Greg Leisz, bassist David Piltch and drummer Kenny Wollesen, Frisell delivers a significantly altered interpretation of "Boubacar," first heard on 2003's world music-inflected The Intercontinentals (Nonesuch). Also recorded at the same show, a more ethereal, atmospheric "Ron Carter" contrasts with the decidedly groove-laden, septet version first heard on 2001's Blues Dream (Nonesuch).

Culled from a one-off 2004 tour with organist Sam Yahel and drummer Brian Blade—first released on Live Download Series #004 in 2009 and recorded in New York City—the guitarist's only organ trio takes a considerably different, percussively unusual look at the melancholically blues-drenched "Strange Meeting," first heard on 1983's eclectic Rambler (ECM), and the gentle, often-covered "Throughout," from Frisell's first album as a leader, 1983's In Line (ECM).

Elsewhere, the more extended "Listen," also from The Intercontinentals, comes from the 2003 tour in support of that album, and is the only track to feature the identical lineup; along with Scheinman and Leisz, Frisell is joined by oud and bouzouki player Christos Govetas, percussionist Sidiki Camara, and acoustic guitarist Vinicius Cantuaria. It may feature the same personnel but, as can always be expected with Frisell, the interpretation is another story entirely, as is true throughout the entire Live Download Series #006 (2009) from which this track is drawn.

The darker-hued Americana of "Lazy Robinson," from a 2004 show in Bochum, Germany that was the Live Download Series' very first release, provides the opportunity to hear an early, quartet look at the horn-and string-driven octet double-disc version that would later surface for the first time, four years later, on 2008's History, Mystery (Nonesuch). Featuring future History, Mystery personnel Jenny Scheinman and Ron Miles (on cornet), this recording also includes bassist Viktor Krauss and drummer Matt Chamberlain—a significantly different rhythm section to the studio recording's Tony Scherr and Kenny Wollesen.


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