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Trumpeter Mike Vax has come up with an interesting idea, using his latest album to promote the web site bigbandjazz.net, which in turn promotes the Oakland, CA–based non–profit group Friends of Big Band Jazz (FBBJ), whose worthy goal is to help keep big–band Jazz alive for future generations. FBBJ supports and promotes performances by the MVJO, proceeds from which are used to provide opportunities for young musicians to pursue their interest in big–band Jazz through summer camps and other musical programs and events. While buying a copy (or more) of the CD helps FBBJ spread the word about big–band Jazz, an even better reason to do so is that the MVJO is a conspicuously high–powered ensemble molded in the image of the celebrated Stan Kenton Orchestra, and bigbandjazz.net encompasses more than seventy–two minutes of eminently rewarding big–band Jazz. In short, it’s a kick to hear and appreciate music as bright and admirable as this. Section work is crisp and unerring, soloists alert and resourceful. The orchestra comes out swinging on the first of five well–crafted originals, Dave Hanson’s bouncy “Royal Rendezvous” (solos by tenor Scott Peterson and trumpeter Mike Olmos). Vax is the soloist on the sensuous “Love Theme from Hair,” which precedes buoyant new works by Howard Cespedes (“Sunday Variations”) and Bob Washut (“Hoofin’”). Guest Cami Thompson is up next, offering the first of her two amiable vocals, on Cole Porter’s “I Concentrate on You“ (she’s also heard on Michel Legrand’s “The Way He Makes Me Feel”). There are two versions of the electrifying “Virgen de Macarena,” the first with solos by Vax and Peterson (on soprano), the second (which closes the album) featuring Vax alone. The orchestra settles into a genial groove on “That Old Feeling,” “Let’s Face the Music and Dance” and a surprisingly persuasive reading of the theme from “Naked Gun.” Peterson and trombonist Scott Tingle are the soloists on “Feeling,” Olmos, alto Antony Pickard, guitarist Randy Vincent and guest conguero Raul Rekow on “Dance,” Olmos, Vax, pianist Max Perkoff, baritone Doug Rowan and bassist Mario Suraci on “Gun.” Lennie Niehaus’ explosive “Vax Attacks,” with fiery comments by Vax and Peterson, is reminiscent of the great Maynard Ferguson bands of the ’60s, while Frank Foster’s “Blues in Hoss Flat” (solos by pianist Si Perkoff, trumpeter George Spencer, trombonist Mara Fox) is torn straight from the Basie book. Sandwiched between them is Rolf Johnson’s rhythmic “Ice Nine,” whose soloists are Rowan (on bass clarinet) and alto Rory Snyder. Great big–band Jazz for a worthy cause; in the words of Ira Gershwin, who could ask for anything more?
Contact: Summit Records, P. O. Box 26850, Tempe, AZ 85285 (phone 800–543–5156; e–mail email@example.com. Web site, www.summitrecords.com).
Track Listing: Royal Rendezvous; Love Theme from Hair; Sunday Variations; Hoofin
Personnel: Mike Vax, leader, trumpet, flugelhorn; Rory Snyder, alto, soprano sax, flute, piccolo; Antony Pickard, alto sax, flute; Scott Peterson, tenor, soprano sax, flute; Brenda Thompson, tenor sax, flute; Doug Rowan, baritone sax, bass clarinet; Dan Fava, Rolf Johnson, Mike Olmos, George Spencer, trumpet, flugelhorn; Troy Oswald, Mara Fox, Peggy Vax, trombone; Chip Tingle, Steve Trapani, bass trombone; Si Perkoff, piano; Max Perkoff (9), piano, electric keyboard; Randy Vincent, guitar; Mario Suraci, acoustic bass; Dan Parenti (5), electric bass; Kent Bryson, drums. Guest artists
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.