Having created some of the best and most enduring musical catalogs of Great American Songbook composers and some of the best cabaret sets ever heard, Michael Feinstein breaks new ground with his first Big Band album. Growing up in the personal attendance of the legendary Ira Gershwin and in the comforting shadow of such standard bearers as Harold Arlen, Johnny Mercer and Irving Berlin, Feinstein has partnered his smokey vocals with the fiery horns of the legendary Maynard Fergusion for Big City Rhythms, his 18th album.
From the gentle small combos of Ray Noble’s "The Very Thought of You" (which features an ear-singeing solo by Mr. Ferguson) and a piano bar rendition of Hoagy Carmichael’s "How Little Wqe Know" to the all-out swings of Evans and Bostic’s "Let Me Off Uptown" and Rogers and Hart’s "Johnny One Note," Feinstein mixes it up in the big city and rarely gets lost. Though Feinstein’s "One Note" may not be his strongest and his proclamation that "Swing Is Back In Style" may be a bit late, any original song that can offer a comparative music lesson which combines a tribute to Basie and Bing with a dig at Sting (and in similar rhyming style) is a notable composition indeed.
Borrowing from his impressive mental musical archives, Feinstein uses Benny Goodman’s "Lullaby In Rhythm" to demonstratre the wide array of songs that used similar lyrical themes (including "Lullabye of Birdland," "Lullabye of Broadway" and "Fascinatin’ Rhythm"). He also takes a second stab at the composer’s desk with the repetetive but appropriately-paced "Rhythm of the Blues." Though Feinstein’s choices and voices vary widely on this album, it is an impressive departure which looks back with Feinstein’s typical care and attention while looking forward with promise.
Track Listing: 1. Close Your Eyes
2. The Very Thought Of You
3. Let Me off Uptown
4. Girl Talk
5. You Can't Lose 'Em All
6. One Day at a Time
7. The Rhythm Of The Blues
8. The One I Love Belongs To Somebody Else
9. Ev'rything You Want Is Here
10. Johnny One Note
11. Swing Is Back in Style
12. Love Is Nothin' But a Racket
13. Lullaby in Rhythm
14. When Your Lover Has Gone / The Gal That Got Away
15. New York, New York
16. How Little We Know
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David. He encouraged me to become a songwriter and together as co-writers we have written material for two albums and an EP.
As The Brehms, we try to bring a beautiful ambience to any event, and we feel just as comfortable in situations where we are
background ambience, or pushing the energy in a large scale concert, and everything in between.