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As the universal language, music has always had one problem: how to translate the words so that everyone will understand their meaning. French, Portuguese, English, and several African dialects are quite familiar to jazz fans. Some listen to German, Russian, Chinese, Japanese or Spanish singers often. Are we fluent in these languages? It's not necessary. Pagliacci had a passionate story to tell, and even those who don't know Italian understood his message. Priests sing the mass in Latin, and only a small percentage of the flock cares to translate literally. It's the general meaning that matters.
Bobby McFerrin overdubs to create a choir of voices that seem to come from different countries around the world. His wordless application for this album resembles a collection of different languages. From Northern Europe, through Africa, Asia, and the Americas, he wanders. By coupling his composed impressions with carefully crafted "languages," McFerrin takes the listener on a world tour. Along the way, he brings us swinging, inventive jazz that derives from the tradition. By limiting the session to vocals with moderate accompaniment, the singer assures the listener of a memorable adventure. Variety weaves through the album gracefully because of its contrasting regional impressions. However, the lack of a sideman soloist to share the spotlight rolls everything together in one long haul. It's like viewing the slides from your brother-in-law's summer vacation.
Two tracks stand out for their variance from McFerrin's suite-like journey. Chick Corea's "Windows" features an exemplary piano/vocal duet, while the final piece finds the singer/pianist/composer wandering aimlessly in search of his audience. It's impressionism, but this time the focus sends the listener back in time to the earliest forms of vocal music. Bobby McFerrin is an outstanding communicator. This time out, he takes the listener on a long and arduous journey, adds a little swing and doo-wop to the itinerary, and ensures that we all catch on.
Track Listing: Invocation; Kalimba Suite; A Silken Road; Fertile Field; Dervishes; Ziggurat; Sisters; Circlings; Chanson; Windows; Marlowe; Mass; Pat and Joe; Taylor Made; A Piece, a Chord; Monks/The Shepherd.
Personnel: Bobby McFerrin- vocals, keyboards; Chick Corea- piano, electric piano; Gil Goldstein- accordion, keyboards; Keith Underwood- wood flutes, contrabass flute; Richard Bona- bass, guitar, percussion; Cyro Baptista- percussion; Omar Hakim- drums; Taylor McFerrin- beatbox on "Taylor Made."
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.