Vocalist Mary Jenson follows her well-received 2009 recording Close Your Eyes (Self Produced) with an homage to the dream state with Beyond. Coming from a large military family that never stayed put for long, Jenson developed a gypsy's soul and a musical taste for the world rhythmic and cosmopolitan. Her song selection is novel, including compositions by The Beatles ("Come Together"), Stevie Wonder ("Too High") and Joni Mitchell ("Moon at the Window").
But it is the opener, Tom Waits' "Temptation," that really captures Jenson's world music-jazz view. Pianist Frank Martin sets up swirling smoke over the poly-rhythms of drummer Will Kennedy and uber-percussionist Alex Acuna. The arrangement is light, with moments of inventive melodic grounding firmly in in the warm climes of the Caribbean rim. Jenson's pliable voice shares these characteristics of the arrangement. She transforms this Waits ballad (sung to great humid effect by Cote de Pablo in the opening episode of NCIS, Season 6). Jenson takes away some of the humidity and adds complex undulations, giving the piece a more urgent and visceral punch.
Personnel: Mary Jenson: vocals; Frank Martin: keyboards; Mads Tolling: violin; Jose
Neto: guitar; Ralphe Armstrong: bass; Will Kennedy: drums; Alex Acuna:
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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