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This tenor summit took place in 1959, a very short while after the death of Lester Young. Ben Webster is joined by Coleman Hawkins and Budd Johnson, two of the remaining tenor greats of the time. Roy Eldridge is also along for the ride. The rhythm section consists of pianist Jimmy Jones, guitarist Les Spann, bassist Ray Brown, and drummer Jo Jones. Except for the up-tempo numbers "De-Dar" and "Young Bean," the mood is as bluesy and laid-back as can be. A twenty-minute "In a Mellow Tone" leads off the record, and interestingly enough, Brown, Jones, and Spann all solo before the first tenor giant, Johnson, takes his turn. Webster doesn’t solo until nearly sixteen minutes in. In fact, he solos last on four of the five tracks. But when you’re Ben Webster, what’s the hurry?
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.