457

Nimmons'n'Braid: Beginnings

John Kelman By

Sign in to view read count
Phil Nimmons and David Braid are nearly 53 years apart in age, but by finding common ground on Beginnings, they prove that age doesn't necessarily determine one's personal voice or artistic viability. Braid, a thirty year-old pianist, has been generating considerable buzz in the Canadian jazz community for his stylistic maturity, which is all the more surprising considering he came to jazz only recently, and a compositional approach that masks deeper complexity in accessible veneer. Recent projects like Vivid: The David Braid Sextet Live (Independent, 2004) and the Murley/Braid Quartet, so impressive in its 2004 performance at the Ottawa International Jazz Festival, have quickly established Braid as someone to watch.

At 83, Nimmons, a clarinetist, is one of Canada's elder jazz statesmen, yet age doesn't seem to be slowing him down. Beginnings documents a 2004 duet concert performance with Braid featuring a completely spontaneous set of free improvisations that nevertheless bear a surprising sense of purpose.

Few can match pianist Keith Jarrett when it comes to inventively pulling form out of the ether. His improvisations may range from abstract to hymnal, but he's consistently able to create from a completely blank slate. Achieving the same result is harder for a duo because one player has to be constantly aware of what the other is doing, responding and instigating. Nimmons and Braid manage to successfully mine Jarrett's stream of consciousness turf, which is all the more impressive because it's not the insular experience of a single mind at work. Akin to an intimate conversation between friends so comfortable with each other that neither is afraid to go in unexpected directions, the album's seven spontaneous compositions are stunning for the apparent ease with which each player latches onto the other's thoughts.

That's not to say the music has any specific stylistic reference to Jarrett. But Nimmons and Braid's ability to effortlessly move from the lyrical and majestic beginning of "Ayy into free association—often with only the slightest of musical nods from one or the other and in the space of a few short moments—is testimony to just how open their ears are.

Not to mention their minds. One would expect an artist of Nimmons' vintage to be steeped in tradition, but he's capable of modernistic fancy, as on the frenetic "Dee, where the two seem to be in a humorously perpetual state of catch-up. Braid may be the youngster, but "Bee proves him comfortable with the blues tradition, while "Cee finds both evoking a curious combination of Bill Evans and George Gershwin. "Eeh begins with Braid echoing Nimmons' whimsical melody, taking a simple idea far.

The aptly titled Beginnings hopefully represents the start of a more permanent relationship. There's no clear leader here; while Braid can learn from Nimmons' wisdom and experience, Nimmons is just as much a student of Braid's youthful exposure and frames of reference.

Visit David Braid on the web.


Track Listing: Ayy; Bee; Cee; Dee; Eeh; Eff; Gee.

Personnel: Phil Nimmons: clarinet; David Braid: piano.

Title: Beginnings | Year Released: 2006 | Record Label: Nimmons'n'Music Ltd.


Tags

comments powered by Disqus

More Articles

Read For the Love of You CD/LP/Track Review For the Love of You
by Jack Bowers
Published: October 21, 2017
Read Recent Developments CD/LP/Track Review Recent Developments
by John Sharpe
Published: October 21, 2017
Read Triple Double CD/LP/Track Review Triple Double
by Glenn Astarita
Published: October 21, 2017
Read Agrima CD/LP/Track Review Agrima
by Jerome Wilson
Published: October 21, 2017
Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read "The Picasso Zone" CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Cantos Invisíveis" CD/LP/Track Review Cantos Invisíveis
by Karl Ackermann
Published: January 13, 2017
Read "Forever Young" CD/LP/Track Review Forever Young
by Jack Bowers
Published: August 1, 2017
Read "The Deep" CD/LP/Track Review The Deep
by Dr. Judith Schlesinger
Published: July 4, 2017
Read "The Day After" CD/LP/Track Review The Day After
by David A. Orthmann
Published: February 14, 2017
Read "Tony Kadleck Big Band: Around the Horn" CD/LP/Track Review Tony Kadleck Big Band: Around the Horn
by Dr. Judith Schlesinger
Published: November 11, 2016

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.