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The key to the eclecticism of Before You Go, bassist Aaron Germain's first album as leader, can be found in his stated aim as a musician: to be "picky about quality, not genre." Germain's ten original tunes take in straightforward hard bop, blues, Latin and funk stylesand the quality is always high.
Throughout the album, Germain's compositions take center stage. While the quality of his playing is obvious, Germain never uses the tunes simply to demonstrate his talentneither does he push his own instrument too far to the front of the mix. The result is a beautifully balanced recording that gives all the musicians space to play.
Germain's core trioMatt Clark on piano, Bryan Bowman on drums and Sheldon Brown on tenor saxwork perfectly with the bassist to create some excellent performances. Opening tune "Higashi Nakano" offers a prime example, with Germain and Bowman underpinning a delicate piano line from Clark before Brown enters with a smoky and sultry tenor. Germain adds a selection of guest musicians elsewhere, each one ensuring that their involvement adds to the atmosphere and authenticity of the tune. The finest example of this open approach is "Bellabou Baiao," a joyous tune driven by Germain's bass guitar and the dual accordions of Adrian Jost and Colin Hogan. Reminiscent of Hermeto Pascoal in its insistent, atmospheric and upbeat melody, its impact is immediate.
On the funky "Deep Breath" Germain again moves over to electric bass while Clark trades his piano for electric keyboards. Initially the musicians' virtuosity is to the fore, but there is a slight lack of warmth in the sound compared to their acoustic playing. Before long John Gove and Derek Smith enter on trombone and vibes. As a result, the warmth returns in spades, the guest musicians building up a solid groove over Bowman's driving percussion.
Germain is a busy and experienced "hired-gun." Before You Go demonstrates his ability as a writer and bandleader and clearly sets out his potentialit's a lovely album, imbued with talent, imagination and humanity.
Track Listing: Higashi Nakano; Deep Breath; Culebra; Admiral Drive; Lakefood; Bellabou Baiao; Amaenbou; Wrong Way Blues; Missed Your Meaning; Quiet Sunrise.
Personnel: Aaron Germain: bass; Matt Clark: piano, keyboard; Bryan Bowman: drums; Sheldon Brown: tenor sax; Matt Heulitt: guitar (8); Jeff Marrs: drums (2); John Gove: trombone (2); Derek Smith: vibraphone (2); Ricardo Peixoto: guitar (6); Phil Thompson: drums (6); Brian Rice: percussion (6); Sheldon Brown: clarinet (6); Adrian Jost: accordion (6); Colin Hogan: accordion (6).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.