If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
For Bebop United Tom Scott convened a a group of veterans for a straight-ahead live auditorium performance in Pittsburgh. His cohesive ensemble interprets each selection with a comfortable groove and a lot of soul. Featuring Phil Woods on three numbers, the concert brings slow ballads and up-tempo romps to its audience convincingly. Trumpeter Randy Brecker and tenor saxophonist Scott provide much of the dialogue, each bringing a warm presence to the concert.
For "His Eyes, Her Eyes, soloists Scott and Brecker are joined by trombonist Jay Ashby in a solemn affair that allows their lyrical voices to interact with heartfelt charm. Each has something special to say, and it's issued with warm feelings and tender thoughts. Scott, Ashby, Ronnie Cuber and Brecker give "Sack 'o Woe an adventurous ride with solo refrains that reflect the tradition that Cannonball Adderley sold so well. Quiet and restrained, the ensemble interprets this one soulfully.
Scott's program brings several exciting solo voices together and finds plenty of room for each to stretch out. As they work together in ensemble, the artists paint a cohesive portrait of straight-ahead jazz in full bloom. Scott's tenor tone remains mellow, and his approach is one of sharing. His feature on "The Song is You reveals a veteran artist who continues to find pleasure in familiar melodies and share that love of art with his fellow musicians.
Track Listing: Children of the Night; Silhouettes; TOnes for Jones Bones; His Eyes, Her Eyes; Sack 'O Woes; Back Burner; Close View; The Song is You.
Personnel: Tom Scott: tenor saxophone; Ronnie Cuber: baritone saxophone; Randy Brecker: trumpet; Jay
Ashby: trombone; Gil Goldstein: piano; Duane Burno: bass; Willie Jones: drums; Phil Woods:
alto saxophone (2,3,7).
I love Jazz because of its freedom.
I was first exposed to jazz in my teenager years.
I have met Art Blakey in Juan-les-Pins, my drum teacher Orphelia took us to his concert, it was magical!
The best Jazz shows I ever attended were Art Blakey, Michel Petrucciani, Miton Nascimento, Naná Vasconcelos.
The first jazz record I bought was Jazz from Hell by Frank Zappa.