All About Jazz

Home » Articles » In the Artist's Own Words

1,207

Bassist Jeff Berlin Pays Tribute to Charlie Banacos

By

Sign in to view read count
Jeff Berlin[Editor's note: Bassist Jeff Berlin first emerged in the early 1970s with artists including Gil Evans, Ray Barretto, Pee Wee Ellis and Don Pullen. But it was his fusion work with British drummer Bill Bruford on albums including Feels Good to Me (Winterfold, 1977) and One of a Kind (Winterfold, 1979) that he gained greater international exposure and a reputation as one of jazz's finest (and undervalued) electric bassists. Since that time, Berlin has released a small but significant discography including Lumpy Jazz (M.A.J., 2004) and Aneurhythms (M.A.J., 2007), and founded of The Players School of Music in Clearwater, Florida. Here, he delivers a personal tribute to the recently departed musician and master educator, Charlie Banacos.]



I know what cancer can do to a family because my son had it when he was five years old. But, unlike my friend and teacher Charlie Banacos, Jason beat the disease that recently took the greatest music teacher I ever had.



Back in the late 1970s, I was a young bassist making my mark in the New York music scene. Most nights I played almost every club with the top guys. During the day, I stood next to Will Lee, Anthony Jackson and Steve Gadd at the musician's union to collect my royalty checks for all the jingles and record dates that I was doing at that time.



While my income and reputation were growing, my interest in music eventually took precedence over my wish for a career in music. I simply had to know more things about playing than I already knew. I made an easy decision and simply chucked it all in, just quit on New York and packed up a moving truck and moved to Boston. Why Boston? There was a music teacher there that everybody was talking about named Charlie Banacos. I had heard that he was a phenom, that he could change any player's musical life. The word was, this guy was someone so unique that there almost was no precedence for what and how he taught. I heard that he could listen to anyone and prescribe and update via new musical information to improve one's playing. I was so excited at the prospect of spending time with this brilliant and motivated teacher that, in 1978, while touring and recording with Bill Bruford, I moved north and rented an apartment on Queensbury Street in Boston in the same building that guitarist Mike Stern coincidentally lived in, and then contacted Charlie and asked to take lessons with him.



Charlie was already a local legend. People spoke of him with respect. He was a guy who also taught Berklee and New England Conservatory students while they were still in school. This was a serious guy and his students were serious musicians. This was the environment that I wanted to be in. When I started to study with him, I found out that his reputation wasn't exaggerated in the least. Actually, it didn't even come close to the actual truth about his great gifts to teach and to create one-of-a-kind lessons.



At the time, he had a small studio off of Beacon Street in Brookline. That little space that he rented was Ground Zero for some of the most outstanding music lessons in jazz. To think about it now, it is almost inconceivable to imagine that the world of music wasn't aware about the astonishing events of musical greatness that were going on in that little cubicle off of Beacon Street.

Charlie BanacosRight away with me, he hit a few notes and some intervals on the piano to check out my ear. This was the first lesson that led to a relationship between us that lasted over 30 years. No matter where I was in my career, I knew that Charlie would give me learning principles to raise my game, to help me to search even deeper for something special to learn in music. He simply was a bottomless well of musical information. His gifts were so widely regarded that some of the greatest players in jazz sought out his lessons while they were already famous. For all their fame, Dave Liebman, Michael Brecker and Jerry Bergonzi stood in awe of Charlie Banacos.



It is interesting to note that this dedicated musician was also a guy with a kooky sense of humor. He was a wacky guy, and our individual wackiness jelled beautifully. Charlie just didn't appear to be the kind of guy who could also be the brilliant musician that he was. As a man, he was pretty much the opposite in appearance to what one might think a musical genius should look like (whatever that might be). This modest looking fellow blended right into that group that might be called the "common man"; he just didn't stand out in appearance or bearing. He had a high, almost squeaky voice with a heavy "Baston" accent and if clothing defined genius, then Charlie was Rodney Dangerfield in Easy Money (1983). In reflection, it was kind of ironic that inside this humorous average fellow beat the heart and mind of one of the greatest music teachers of the 20th and 21st centuries.

Tags

Related Video

comments powered by Disqus

CD/LP/Track Review
Interviews
In the Artist's Own Words
CD/LP/Track Review
Read more articles
Joe Frazier Round 3 (CD Single)

Joe Frazier Round 3...

Self Produced
2018

buy
Low Standards

Low Standards

Random Act Records
2013

buy
Aneurythms

Aneurythms

M.A.J. Records
2007

buy
 

Lumpy Jazz

Thrill Jockey
2006

buy
 

Ace Of Bass

Thrill Jockey
2005

buy
Lumpy Jazz

Lumpy Jazz

M.A.J. Records
2004

buy

Related Articles

Read Bobby Sanabria: West Side Story Reimagined In the Artist's Own Words
Bobby Sanabria: West Side Story Reimagined
by Bobby Sanabria
Published: July 27, 2018
Read But Beautiful: My Life with Billie Holiday In the Artist's Own Words
But Beautiful: My Life with Billie Holiday
by Lara Downes
Published: September 24, 2015
Read The Most Beautiful Thing In the Artist's Own Words
The Most Beautiful Thing
by Michael Bisio
Published: September 26, 2014
Read Steve Khan: The Making of "Parting Shot" In the Artist's Own Words
Steve Khan: The Making of "Parting Shot"
by Steve Khan
Published: April 24, 2011
Read Wayne Wallace: The Thrill of the Grammys In the Artist's Own Words
Wayne Wallace: The Thrill of the Grammys
by Wayne Wallace
Published: March 15, 2011
Read Bill Dixon: Excerpts from Vade Mecum In the Artist's Own Words
Bill Dixon: Excerpts from Vade Mecum
by AAJ Staff
Published: January 29, 2010
Read "Bobby Sanabria: West Side Story Reimagined" In the Artist's Own Words Bobby Sanabria: West Side Story Reimagined
by Bobby Sanabria
Published: July 27, 2018
Read "Edgefest 2017: Give the Drummers Some, Part 1-2" Live Reviews Edgefest 2017: Give the Drummers Some, Part 1-2
by Troy Dostert
Published: October 30, 2017
Read "Simon Phillips Protocol at Catalina Jazz Club" SoCal Jazz Simon Phillips Protocol at Catalina Jazz Club
by Jim Worsley
Published: February 18, 2018
Read "Matthew Shipp Trio at SFJAZZ" Live Reviews Matthew Shipp Trio at SFJAZZ
by Harry S. Pariser
Published: December 19, 2017
Read "Summer 2018" Jazz Journal Summer 2018
by Doug Collette
Published: July 29, 2018