5

Morten, J. Olsen: Bass Drum!

Eyal Hareuveni By

Sign in to view read count
Morten, J. Olsen: Bass Drum! Norwegian, Berlin-based percussionist Morten, J. Olsen's debut solo album demonstrates how far and advanced his instrumental vocabulary has become. Olsen was part of the high-energy duo MoHa, with guitarist Anders Hana, which later evolved to the powerful quartet Ultralyd, founded by legendary reeds player Frode Gjerstad. After moving to Berlin he became a member of Splitter Orchestra, a 25-piece improvising collective and recently began to perform as a techno DJ.

Bass Drum! features Olsen's instrument of choice in recent years. Olsen has an impeccable command over the 32" rotating bass drum and an exceptional affinity for sonic exploration. In his hands this drum becomes an orchestral instrument with a highly original and an arresting sonic universe of its own. Moreover, from what seems to be limited means, Olsen creates new ideas, definitions, and sounds of what percussion music or rhythm is and can be.

Like other innovative percussionists as Norwegian Ingar Zach or Japanese Tatsuya Nakatani, Olsen refuses to employ the drum as a drum only. He employs extended techniques including different tunings of the skin of the drum. He applies different percussion objects on the skins surface and its metal boundaries and explores different aspects of the timbre, pitch, resonance, dynamics and the relationship of the produced sounds to space.

Each piece investigates a distinct approach of playing the bass drum, turning these carefully nuanced pieces into rich, colorful textures. Olsen stresses a contemplative spirit on "Ejected objectives," buzzing drone on "Rooftop modified algae farm" and "The pressing operation," sensitive play of overtones on "Saw tooth model and nonstandard deviation" or ceremonial-meditative atmosphere on "An extremely cheap sanjo." The longest piece, "Pure tone attraction," is an enigmatic and quiet tone-poem that blurs the distinction between minimalist sound and silence. The last piece, "Objectives/Ejection (Hi-tech dying room)," plays imaginatively with the space and the kinetic characteristics of the spare, resonating sounds within this space.

Brilliant and visionary work of art.

Track Listing: Ejected objectives; Rooftop modified algae farm; Saw tooth model and nonstandard deviation; Ideologically justified rubble; The pressing operation; An extremely cheap sanjo; Pure tone attraction; Objectives/Ejection (Hi-tech dying room).

Personnel: Morten, J. Olsen: 32” Gran cassa and percussion.

Title: Bass Drum! | Year Released: 2014 | Record Label: Plus 3db


Tags

comments powered by Disqus

More Articles

Read Second Act CD/LP/Track Review Second Act
by Mark Sullivan
Published: August 23, 2017
Read Imaga Mondo CD/LP/Track Review Imaga Mondo
by Troy Dostert
Published: August 23, 2017
Read Port Of Call CD/LP/Track Review Port Of Call
by John Sharpe
Published: August 23, 2017
Read May I Introduce To You CD/LP/Track Review May I Introduce To You
by James Nadal
Published: August 23, 2017
Read Honey And Salt CD/LP/Track Review Honey And Salt
by Mark Corroto
Published: August 22, 2017
Read To the Bone CD/LP/Track Review To the Bone
by Geno Thackara
Published: August 22, 2017
Read "Living Tribute" CD/LP/Track Review Living Tribute
by Jack Bowers
Published: May 27, 2017
Read "Hope" CD/LP/Track Review Hope
by Karl Ackermann
Published: July 21, 2017
Read "Jazz Jukebox" CD/LP/Track Review Jazz Jukebox
by Dan Bilawsky
Published: October 31, 2016
Read "Visiting Texture" CD/LP/Track Review Visiting Texture
by John Sharpe
Published: June 20, 2017
Read "Morphogenesis" CD/LP/Track Review Morphogenesis
by Karl Ackermann
Published: June 13, 2017
Read "Music From An Imaginary Land" CD/LP/Track Review Music From An Imaginary Land
by Karl Ackermann
Published: June 14, 2017

Sponsor: JANA PROJECT | LEARN MORE  

Support our sponsor

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.