Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

193

Thad Jones-Mel Lewis Orchestra: Basle, 1969

Jack Bowers By

Sign in to view read count
It has been 30 years to the month since this concert appearance by the Thad Jones–Mel Lewis Orchestra was recorded in Basle, Switzerland, and I’d guess that some of those who were lucky enough to be in the audience still remember the occasion fondly. Although the (unedited) sound on the CD is uneven at times, with some soloists playing off–mic or even bumping into it from time to time, the concert–goers assuredly got their money’s worth from this rip–roaring, rock ’em–sock ’em, no–holds–barred but always tasteful all–star ensemble led by the peerless composer/arranger/trumpeter Jones and the indefatigable drummer Lewis. One of the biggest problems Jones and Lewis must have faced was deciding who would solo, as everyone in the band was outstanding in that respect as well as in playing as a unit. Thad wrote four of the eight numbers — “Second Race,” “Don’t Ever Leave Me,” “The Waltz You Swang for Me,” “Don’t Get Sassy” — and arranged everything including Duke Ellington’s “Come Sunday,” pianist Roland Hanna’s “Bible Story,” saxophonist Jerome Richardson’s “Groove Merchant” and brother Hank’s “A–That’s Freedom.” The prancing opener, “Second Race,” features the consistently inventive Hanna, trumpeter Richard Williams (muted) and tenor Joe Henderson, even then a veteran of many a brisk skirmish. Thad’s warm and underrated flugel takes center stage on his bossa “Don’t Ever Leave Me,” and Richardson’s lyrical soprano complements another in–the–pocket solo by Hanna on “The Waltz You Swang for Me.” Trombone maestro Jimmy Knepper is the man on the medium–tempo swinger “A–That’s Freedom,” while Thad is out front again on flugel on his lovely arrangement of “Come Sunday” with Adams’ gruff baritone making a brief but effective appearance. The orchestra turns up the heat on “Don’t Get Sassy” as Williams and Henderson deliver impressive solos to punctuate Lewis’s incendiary drumming, Richard Davis’s walking bass and blazing riffs by the ensemble. Hanna’s solo piece, “Bible Story,” gives everyone some well–earned breathing space before the rhythm section leads them into the funky finale, “Groove Merchant,” whose parting solo shots are delivered by Hanna and Davis before the ensemble returns to wrap up the package. And a fine–looking package it is.

Track listing: Second Race; Don’t Ever Leave Me; The Waltz You Swang for Me; A–That’s Freedom; Come Sunday; Don’t Get Sassy; Bible Story; Groove Merchant (67:46).

Personnel:

Thad Jones, trumpet, flugelhorn, arranger; Snooky Young, Al Porcino, Richard Williams, Danny Moore, trumpets; Eddie Bert, Jimmy Knepper, Cliff Heather, Ashley Fannell, trombones; Jerome Richardson, Jerry Dodgion, Joe Henderson, Eddie Daniels, Pepper Adams, saxophones; Roland Hanna, piano; Richard Davis, bass; Mel Lewis, drums.

Contact: TCB Music, route Cantonale 103, 1025 Saint

Title: Basle, 1969 | Year Released: 1999 | Record Label: TCB Music

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related Articles

Read When Will The Blues Leave Album Reviews
When Will The Blues Leave
By Karl Ackermann
May 22, 2019
Read Crowded Heart Album Reviews
Crowded Heart
By Dan Bilawsky
May 22, 2019
Read Infinite Itinerant Album Reviews
Infinite Itinerant
By Geno Thackara
May 22, 2019
Read Pulcino Album Reviews
Pulcino
By Nicholas F. Mondello
May 22, 2019
Read Hastings Jazz Collective/Shadow Dances Album Reviews
Hastings Jazz Collective/Shadow Dances
By Dan McClenaghan
May 21, 2019
Read That's a Computer Album Reviews
That's a Computer
By Jerome Wilson
May 21, 2019
Read All I Do Is Bleed Album Reviews
All I Do Is Bleed
By Paul Naser
May 21, 2019