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Mark Turner’s Ballad Session presents a tenor saxophonist of extraordinary poise and emotional attunement. Throughout this recording Turner deftly maintains his balance, avoiding sentimentality, presenting a consistently direct emotional response to the compositions and to his fellow musicians. This disc reveals Mark Turner to be a young musician to watch carefully.
Pianist Kevin Hays is an especially attentive accompanist whose solos add to the emotional focus of this recording. Bassist Larry Grenadier plays a spare, loping bass that allows plenty of room for interaction. Guitarist Kurt Rosenwinkel alternates with Hays in the second instrument slot, replacing Hays on about half of the disc’s tracks. He is also an excellent accompanist; his duet work with Turner is a highlight of this recording. Drummer Brian Blade’s presence is low-key and affective throughout; his lack of an intrusive ego is notable.
Above this band soars Mark Turner with a clear, bright sound that often emphasizes the higher registers of the tenor. The earthier Zoot Sims provides an interesting comparison to Turner. They both have a harmonic sophistication that results in a sure-footed ability to make every phrase sound as if it were inevitable.
Turner has succeeded in developing a band that seems to bring out the best in him. This recording is a dramatic advance from his earlier (1998) somewhat “steely” disc entitled In This World the difference being the emotional depth of this very fine session. Highly recommended.
Tracks:I Loves You Porgy; Some Other Time; Nefertiti; Skylark; No More; All Or Nothing At All; Visions; Alone And I; Late Lament; Jesus Maria. (55:12)
Personnel: Mark Turner, tenor saxophone; Kevin Hays, piano; Kurt Rosenwinkel, guitar; Larry Grenadier, bass; Brian Blade, drums.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...