Here’s nearly an hour of mild but savory Swing Era–style cooking by the brothers Midiri, woodwind master Joe and multi–instrumentalist Paul, and their New Jersey–based trio and sextet. Not to give away any secrets, but listening to the half–dozen trio numbers, on which Joe Midiri plays clarinet, brother Paul plays drums and Joe Holt is the pianist, one can clearly discern the influence of another well–known trio whose members answered to the names Benny, Gene and Teddy. The sextet is also framed in Benny’s image with guitarist Pat Mercury sitting in for Charlie Christian and Paul Midiri moving occasionally to the vibraphone, where Lionel Hampton once held sway. With a few exceptions, the material comes straight from the Goodman book as well — songs such as “Poor Butterfly,” “China Boy,” “I’ll Never Be the Same,” “Get Happy,” “Avalon” and “Exactly Like You” were key ingredients in Benny’s library, and Goodman himself wrote the breezy “Slipped Disc.” The Midiri brothers and Holt collaborated on “Joe’s Brother,” Joe Midiri wrote “If Pain Persists” and Holt “A Couple of Joes,” none of which subverts the album’s lightly swinging groove. There are four vocals, three by Paula Johns — “My Baby Just Cares for Me,” “I’ve Got It Bad,” “I’m Beginning to See the Light” — and one by drummer Jim Lawlor (“Is You Is or Is You Ain’t My Baby”). But the most eloquent “voice” is that of Joe Midiri’s clarinet, a direct descendant of Benny’s and a reputable heir to the King’s throne. An admirable session that conveys the irrepressible spirit of Goodman’s acclaimed trio and sextet without slavishly copying either one.
I love jazz because it swings.
I was first exposed to jazz in Houston.
I met Joe LoCascio and Bob Henschen.
The best show I ever attended was Pat Martino.
The first jazz record I bought was Time Out by the Dave Brubeck Quartet.
My advice to new listeners is to relax on 2 and 4 beats.