Let's get this out up front: Lorraine Feather is a collaborator extraordinaire. Before taking that down a darker path and picturing black op sites, duct tape, and stubbly- faced bad cats, let's spill: take a masterful wordsmith who's also a sublime vocal talent, surround her with highly intelligent soundscapes and wrap with some of L.A.'s usual suspects, and the result is Attachmentsa superbly crafted and marvelously performed initiative.
Feather's recent solo efforts, Tales of the Unusual (Jazzed Media, 2012) and Ages (Jazzed Media, 2011)both Grammy- nominatedhave trademarked her as an imaginative lyricist whose pen drips wit, wry humor and emotional depth. Continuing that pattern of recorded excellence, Attachments reflects and resonates musical perspectives of "I and Thou" relationships, experiences and emotions.
Working with a dozen original melodies across a diversebut ballad- centric groove spectrum ("Anna Lee," "The Veil"), the scales tip to the verbal here. Feather's exceptional lyrics fit hand in glove with the fine content of her compositional cohortsEddie Arkin, Shelly Berg and Russell Ferrante. She's gifted with plucking the perfect words to intersect the music, ensuring that the appropriate emotional punch landseven when that melodic source is one J.S. Bach ("True") and the J.S. is "just sayin.''
Feather's fine vocal chops are up to the task of subtly flavoring her poignant lyrics. Her swing, rhythmic savvy, intonation and diction are impeccable. A joy to appreciate when she does it, she has a special talent for song-speak ("159," "I Love You Guys") and is as deft with what enters the mic as what appears on paper.
The supporting castmost of whom have performed on Feather's previous recordingsis outstanding. Pianists Berg, Ferrante and Dave Grusin, as well as guitarists Grant Geissman and Eddie Arkin, are perfect partners in crime, and bassist Michael Valerio, drummers, Michael Shapiro and Gregg Field always bring plenty more than just their axes. The incorporation of Charles Bisharat's violin adds a robust, melancholic dimension to the overall effort.
A few years back there was a nationally-recognized marketing campaign that featured the snowclone phrase, "Got milk?" It was seen everywhere: on TV, t-shirts, cars, billboards, in magazines and in sky-writing. In the case of Attachments, from Feather and her co-collaborators, their cars' bumper stickers might finally read: "Got small gold gramophone?" No questioning.
A Little Like This; Attachments; I Thought You Did; Anna Lee; 159; We
Have the Stars; I Love You Guys; I Hope I Never Leave This Place;
Hearing Things; The Veil; Smitten With You; True.
Lorraine Feather: vocals; Russell Ferrante: piano (1, 2, 4, 5, 8, 9,
11); Shelly Berg: piano (6, 7, 10); Dave Grusin: piano (3, 12);
Michael Valerio: bass (1, 2, 4, 5, 7-9, 11), vocals: (5); Grant
Geissman: guitar (1, 5, 9); Eddie Arkin: guitar (2, 5); Michael
Shapiro: drums and percussion (1, 2, 5, 9, 11); Tony Morales: percussion (1) Gregg Field: drums (7); Charles Bisharat: violin (1, 2, 4, 8, 9, 11, 12); Bob Mintzer: bass clarinet (11).
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!
Find All About Jazz articles, news, musician pages, and more!