Rhythm & blues was a powerful musical force in the '50s, influencing the direction that many jazz musicians followed and paving the way for rock and roll. There was quite a market for R&B 45s, and small labels featuring eager young unknowns were able to carve out a niche in at least some jukeboxes. Many of these obscure but still worthy records remain stashed away, but Empire Musicwerks has resurrected some of the better efforts from the Atlas, Mambo and Vita labels.
None of these artistsJackie Kelso, Harold Austin, Charlie Singletonbecame household names (although some became quite successful studio musicians), but they mastered the sound that bewitched so many. All feature a solid beat and boogie woogie piano with a raspy saxophone playing swooping riffs over blues changes; add an organ and you'd have the sound that Prestige took to the bank in the next decade.
Most of these songs sound pretty similar, and that's part of the reason that rhythm and blues was so successful: it was a simple formula that was relatively easy to master and required little effort to appreciate. Much like obscure independent rock, there's a rugged charm inherent in these records that more polished efforts lack. As a companion piece to Empire Musicwerks' Jukebox Jazz, Atlas Jazz Explosion delivers.
Track Listing: Jackie Kelso - Blue Moon; Jackie Kelso - Smiles; Jackie Kelso - Not Yet; Jackie Kelso - Easy
Pickin' (Part I); Jackie Kelso - Encore; Jackie Kelso - My Buddy; Jackie Kelso - Once More;
Jackie Kelso - Piccadilly; Jackie Kelso - The Sleeper; Jackie Kelso - Rat-A-Tat; Jackie Kelso
- Easy Pickin' (Part II); Harold Austin - Jesse Ideas (Part I); Harold Austin - Jesse Ideas (Part
II); June Davis With Freddy Washington's Band - I Am One Of God's Children (Without
Wings); June Davis With Freddy Washington's Band - 8-9-10; Freddy Washington's Band -
Congo Buggie; Charlie Singleton - Super Chief; Charlie Singleton - The Boardwalk; Charlie
Singleton - Blow Mr. Singleton; Charlie Singleton - Deep Purple
Personnel: Jackie Kelso; Harold Austin; June Davis With Freddy Washington's Band; Freddy Washington's
Band; Charlie Singleton.
I love jazz because it's sophisticated, international, atmospheric yet free, cool and warm.
I was first exposed to jazz through the sultry voice and flawless swing of my mother.
I met Mark Murphy, David Linx, Kurt Elling, and Youn Sun Nah.
The best show I ever attended was Youn Sun Nah in Paris.
The first jazz record I bought was Native Dancer by Wayne Shorter and Milton Nascimento
My advice to new listeners: open your mind and your ears, forget about structure, feel the textures.
Go see live music and keep buying CDs!