Coming on the heels of last year’s Volume One, Papo Vázquez’ latest installment climbs the ladder as one of this year’s ten best jazz albums. Combining hard bop with Afro-Cuban rhythms, the New York trombonist leads a small ensemble of experienced artists. Keeping the mood authentic, pianist Arturo O’Farrill, bassist Andy Gonzales and conguero Richie Flores supply forceful reminders of tempo and meter foundations. Flores is particularly effective through his crisp hand drum work, both in solo jams and in accompaniment.
Vázquez, 42, grew up in the heart of North Philadelphia’s Puerto Rican community and now travels the world to share his enthusiasm for hard bop Latin jazz. Showing a J.J. Johnson influence at faster tempos, Vázquez remembers to make it enjoyable. About halfway through "Juan José" the trombonist slips a little quote of "Guantanamera" into his trombone solo.
To complement his trombone ballad feature, Vázquez sings briefly and softly for "In This Lonely Place" to enhance the romantic mood espoused by his composition. The remainder of the session runs with energy at a fast pace. Dave Valentin guests on "Juan José" with lyrical flute work, while tenor saxophonists Michael Brecker and Willie Williams jam with charged-up energy. Brecker appears on three tracks; Williams on two. O’Farrill offers interlude solos throughout the session that are both energetic and creative. The pianist stretches out, bathing in the hot atmosphere provided by Papo Vázquez and his hard bop ensemble.
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.