254

Schlippenbach Quartet: At Quartier Latin

Mark Corroto By

Sign in to view read count
Schlippenbach Quartet: At Quartier Latin Released as part of the limited edition box FMP im Rückblick—in Retrospect (1969 - 2010), this recording by pianist Alexander von Schlippenbach's Quartet, At Quartier Latin, is an incomparable time capsule that documents a crucial period in European improvisation and the development of today's jazz luminaries.

Available separately from the 12-CD box, this disc brings together two live recordings—originally released as The Hidden Peak (FMP, 1977) and Three Nails Left (FMP, 1975)—featuring Schlippenbach's trio, which was regularly expanded in the 1970s to include bassist Peter Kowald. The most recent re-release by this quartet was Hunting The Snake (Unheard Music Series/Atavistic, 2000).

Schlippenbach began improvising in small ensembles before establishing Globe Unity Orchestra in 1966. But, it has been his work in trio and quartet that has endured for more than forty years. With his collaborators—saxophonist Evan Parker and percussionist Paul Lovens—Schlippenbach has created a model for modern improvising pianists such as Pandelis Karayorgis and Matthew Shipp.

These two recordings document two live, 60-minute sets which were edited for their original release. Piecing together fragments of longer improvisations keeps these nine tracks constantly flowing. Of note here is the genesis of the dynamic nature of the ensemble's energy jazz. They display their ability to create this tension (though not through noise) that is juggled, maintained, and nurtured through the interaction of players. The four keep this musical ball aloft for the duration by adding a pulse or trinkle of notes. Parker's signature extended technique, though not as polished then, acts as a fire-starter. Lovens and Kowald are content to turn on, then off their collective intensities. Likewise, Schlippenbach sits silent in parts, while jumping in others with hammered clusters of notes to power this process.


Track Listing: Black Holes; Three Nails Left, for P.L.; The Hidden Peak I; The Hidden Peak II; The Hidden Peak III; The Hidden Peak IV; The Hidden Peak V.

Personnel: Evan Parker: soprano saxophone, tenor saxophone; Alexander von Schlippenbach: piano; Peter Kowald: double-bass; Paul Lovens: percussion, instruments.

Year Released: 2011 | Record Label: FMP Records | Style: Classical


Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "Father Figure" CD/LP/Track Review Father Figure
by Dan Bilawsky
Published: April 3, 2016
Read "The Real Deal" CD/LP/Track Review The Real Deal
by James Nadal
Published: June 12, 2016
Read "Four Plus Three" CD/LP/Track Review Four Plus Three
by Bruce Lindsay
Published: June 5, 2016
Read "Boss Tenor" CD/LP/Track Review Boss Tenor
by Matthew Aquiline
Published: July 20, 2016
Read "Neuroplastic Groove" CD/LP/Track Review Neuroplastic Groove
by Eyal Hareuveni
Published: August 18, 2016
Read "Persuasion" CD/LP/Track Review Persuasion
by Jeff Winbush
Published: December 24, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!