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Do not attempt to adjust the speed setting on your turntable. The music delivered by As Deafness Increases is indeed punk, or perhaps noise. It's just that the punk presented is at a glacial pace, or maybe it's the noise of Merzbow performed as if there were a sleeping baby in the room.
Released by the often obstreperous label Va Fongool, the same outfit that gave us the thrashing band ICH BIN N!NTENDO, the distortion band MUMMU, and the tuba-on-steroids and keyboard band Skrap, comes this slow treatment of soundscapes. The Norwegian trio of double bassist Inga Margrete Aas, Guitarist Rudolf Terland Bjørnerem and trombonist Henrik Nørstebø Munkeby reveal a Nordic temperament for patience, stoicism, and a persistence of sound.
The 20-minute opening track "Svalbard" is a slow-moving drone piece that is left intentionally open-ended. The players exercise no boundaries. Minimalist bowed bass and micro-tones of breathe inhabit the grayness of the tones. Their background in classical music informs the approach, but it is free music that sets this slow moving river of gelid ice in motion.
The remaining three shorter pieces "Adia," "Adib," and "Adic" work themselves into more concise expressions and provide a sort of map for the adventurous listener. These three pieces might best be experienced first before any attempt to scale the "Svalbard" in the dark of night.
Track Listing: Svalbard; Adia; Adib; Adic.
Personnel: Inga Margrethe Aas: double bass; Rudolf Terland Bjørnerem: guitar;
I was first exposed to jazz through a high school friend who played Keith Jarrett's The Koln Concert for me. Therefore, that was the first jazz record I bought. From Jarrett to Chick to Oscar and Herbie and then came my first hearing of A Love Supreme. I was never the same...
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