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Artie Shaw: His Life and Music John White Continuum 2004 192 pages ISBN: 0826469159
When Artie Shaw (née Arthur Jacob Arshawsky) passed on December 30, 2004, one of the very last Swing Era giants was gone. Clarinetist virtuoso, bandleader extraordinaire, composer, respected author, gentleman farmer, dashing romancer of scores of women, and husband to seven of them, Shaw packed mucho living into his 94 years.
The fame and fortune he achieved as the leader of one of the most accomplished big bands of the '30s and '40s at least temporarily eclipsed even that of his great rival, Benny Goodman. Among his best known recordings are "Frenesi , "Stardust and his 1938 version of "Begin the Beguine , which remains one of the most popular recordings of all time.
Shaw joined a band at age fourteen, evidencing even then the independence which was characteristic of his entire life. By 1929 in Chicago, he was listening to the likes of Jimmie Noone, Bix Beiderbecke, Louis Armstrong, the young Benny Goodman and Frank Teschemacher. A major turning point in his career and for American big band jazz came in 1936, with his first public appearance as a leader in history's first Swing concert at New York's Imperial Theater. Then and consistently afterwards Shaw preferred to hire relatively inexperienced players and mold them to his musical preferences. Among them were Buddy Rich, George Auld and Jerry Gray. In 1938, he became the first white bandleader to hire a black female singer, Billie Holiday.
Refreshingly free of the psychobabble so common in celebrity bios, White offers a readable narrative account and assessment of Shaw's achievements and concerns, notably his struggles with fame and public demands versus his artistic impulses. As for an obit, Shaw typically penned his own decades ago: "He did the best he could with the material at hand.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.