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Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape
by Ludovico Granvassu
This mixtape is a fun-filled companion to the two parts of our show “Hanksgiving -A Tribute to Hank Mobley," giving even more insight in the legacy of Hank Mobley as a saxophonist and composer through some of his gems and some of the best renditions of his tunes. [Listen to Part 1 and Part 2] Happy listening! Playlist Hank Mobley “The Dip" Dippin' (Blue Note) 0:00 Ingrid Jensen “Avila and Tequila" Here on Earth (Enja) 7:54 ...
read moreHanksgiving - A Tribute to Hank Mobley - Part 2
by Ludovico Granvassu
This year our seasonal Hanksgiving episodes celebrates a musician that is a cult figure in the world of saxophonists and fans of the Blue Note catalogue, saxophonist and composer Hank Mobley. The show features a mix of Hank Mobley's tuens and renditions of his work by peers that were attracted by his brand of jazz firmly grounded in the blues and R&B roots that he had mastered in the years that preceded his first engagement, with Art Blakey and his ...
read moreHanksgiving - A Tribute to Hank Mobley, Part 1
by Ludovico Granvassu
For our seasonal Hanksgiving show, this year we pay tribute to Hank Mobley, both as a saxophonist and a composer, by playing music from his albums, which are a cornerstone of the Blue Note sound and catalogue, and renditions of his music by musicians that came after him. There's so much to love in Mobley's repertoire. Happy listening and happy Hanksgiving, so it may very well become your new favorite holiday, the jazz equivalent of Festivus for the ...
read moreDial "S" for Sonny
by C. Michael Bailey
Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz piano that places both Clark and Hope conceptually and stylistically beyond Powell. Clark was born in Georgia and raised outside of jny: ...
read moreArt Blakey & The Jazz Messengers: Just Coolin'
by Mike Jurkovic
Great moments play all over Just Coolin', the new archival Blue Note Art Blakey release from 1959, recorded at Rudy Van Gelder's studio with Lee Morgan, Bobby Timmons and Jymie Merritt. For a bit of history, let's just point out that Hank Mobley was returning to the tenor chair he held from 1951-56, but which had just recently (for back then) been occupied by Shorter, and before him Benny Golson. Not the slightest expectation here. And should there have been ...
read moreArt Blakey & The Jazz Messengers: Just Coolin'
by Chris May
It is a truth universally acknowledged, that a man or woman in possession of a good quantity of Art Blakey albums, must be in want of a lot more. Previously unreleased albums are particularly enticing. So do not be fooled by the Reid Miles-inspired cover of Just Coolin': the disc is previously unissued. It presents Blakey in his pomp fronting a dream-team Jazz Messengers lineup. AAJers do not need to be reminded that Blakey was at the ...
read moreHank Mobley: Soul Station
by Greg Simmons
Music Matters continues to release exceptionally high quality, all analog reissues of classic Blue Note Records' albums from the golden mid-century age of small-combo jazz. They've recently upped their game with the introduction of a higher-quality raw material formulation they call SRX Vinyl. Hank Mobley was Blue Note Records' most prolific artist, with over thirty albums released under his own name, countless sessions as a sideman, and—according to his own telling in a rare interview shortly before he ...
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