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Jazz Articles about Scott LaFaro

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Album Review

Bill Evans: The Legendary Trio At Birdland 1960 Revisited

Read "The Legendary Trio At Birdland 1960 Revisited" reviewed by Glenn Astarita


Bill Evans' The Legendary Trio at Birdland 1960 is a seminal recording that captures a fleeting moment of jazz brilliance, immortalizing the profound synergy of Evans with bassist Scott LaFaro and drummer Paul Motian. Recorded live at the iconic Birdland Jazz Club in New York City, this album is a vivid snapshot of a group at the peak of its creative powers, navigating the complexities of jazz standards and original compositions with unparalleled grace and fluidity. The trio's ...

8
Album Review

Bill Evans: The Legendary Trio At Birdland 1960 Revisited

Read "The Legendary Trio At Birdland 1960 Revisited" reviewed by John Eyles


Keen-eyed Bill Evans aficionados will know that this album is the pianist's third in the Revisited series by ezz-thetics, following At The Village Vanguard 1961 Revisited and the double-CD Duos with Jim Hall & Trios '64 & '65 Revisited, both released in 2023. “The Legendary Trio" refers to the threesome of Evans, bassist Scott LaFaro and drummer Paul Motian, the same group that recorded at the Village Vanguard in 1961. The Legendary Trio was brought to a tragic end ten ...

7
Liner Notes

Bill Evans: The Legendary Trio At Birdland 1960 Revisited

Read "Bill Evans: The Legendary Trio At Birdland 1960 Revisited" reviewed by Chris May


Thank you, Boris Rose. The obsessive New York jazz maverick set out to record every musician of note who performed in the city's clubs from the mid 1940s through the mid 1970s. He must have come close to succeeding. His vast accumulated horde of tapes--today presumed more or less safe, stacked floor to ceiling in a sizeable Bronx basement under the guardianship of his daughter Elaine--is a treasure beyond mere monetary value. Annotated but uncatalogued, there are many hundreds, perhaps ...

16
Album Review

Bill Evans Trio: At The Village Vanguard 1961 Revisited

Read "At The Village Vanguard 1961 Revisited" reviewed by Mark Corroto


Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The “Village Vanguard" (Blue Note, 1957). John Coltrane would record there in November of 1961 and again in 1966. The spot is a shrine with sessions from legends such as Albert Ayler, ...

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Liner Notes

Bill Evans Trio: At The Village Vanguard 1961 Revisited

Read "Bill Evans Trio: At The Village Vanguard 1961 Revisited" reviewed by Chris May


Liner notes generally avoid referencing current affairs, for the good reason that what is front page news when the notes are being written may be gone and forgotten by the time the album is released. But there are exceptional circumstances, and here is one of them. On his father's side, Bill Evans was of Welsh heritage, and on his mother's side, Russian, or rather Ukrainian, the two countries during his lifetime often being conflated as a result ...

15
Album Review

Bill Evans: Waltz For Debby

Read "Waltz For Debby" reviewed by Mark Corroto


In a very unscientific survey, 9 out of 10 jazz connoisseurs listed Waltz For Debby by the Bill Evans Trio as one of their desert island picks. For more than sixty years it has been a best seller and this reissue, like its companion release Sunday At The Village Vanguard (Craft Recordings, 2023), is part of a newly relaunched Original Jazz Classic series. From the original tapes, both are all-analog masters by Kevin Gray at Cohearent Audio, pressed on 180-gram ...

16
Book Review

Solid. Life and Death of a Jazz Genius: Scott LaFaro

Read "Solid. Life and Death of a Jazz Genius: Scott LaFaro" reviewed by Richard J Salvucci


Solid. Life and Death of a Jazz Genius: Scott LaFaro Vincenzo Staiano 180 Pages ISBN: 9781470 LuLu2023 It may be an exaggeration to claim there was double bass before Scott LaFaro, and double bass after Scott LaFaro. A modern jazz bassist may say, well, not exactly. Yet reading Vincenzo Staiano's respectful account of LaFaro's art may lead one to conclude just that. In an astonishingly short period of time, LaFaro (and to ...


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