Jazz Articles about Matt Hong

About Matt Hong

Album Review

Following its splendid premiere recording, an exploration of Miles Davis' unrivaled album Kind Of Blue (Capitol Records, 1959), composer/arranger Jon Schapiro's 17-member ensemble broadens its horizons on Human Qualities, pairing seven of the maestro's astute and adventurous charts with the Roberta Flack best-seller, “The First Time Ever I Saw Your Face." This time around, Schapiro proves that he need rely on nothing more than his own considerable experience as a jazz artist to create an album that expresses his point ...

Album Review

Schapiro 17: New Shoes: Kind of Blue at 60

Read "New Shoes: Kind of Blue at 60" reviewed by Jerome Wilson

by Jerome Wilson
September 7, 2020

Miles Davis' album Kind Of Blue (Columbia, 1959) is the best-selling jazz album of all time and has been highly influential for the last 60 years. Most of its five tracks have become jazz standards and have been interpreted time and again. However it is rare to see the entire album reworked to the extent that Jon Schapiro and his big band, Schapiro 17, do here. The tracks undergo extensive retooling, expanding into big band arrangements that carry on the ...

Album Review

Bill Warfield and the Hell's Kitchen Funk Orchestra: Smile

by Jack Bowers
June 21, 2020

Having no idea what to expect from an ensemble labeled the Hell's Kitchen Funk Orchestra, the game plan must be to advance with caution, as any orchestra with trumpeter Bill Warfield at the helm can't be all bad. After listening, it becomes clear that the game plan was sound and the premise accurate: Smile, the HKFO's second recording, isn't all bad. The question is: did Warfield and the orchestra have its own game plan? If snatching every ingredient within reach ...

Album Review

Schapiro 17: New Shoes: Kind of Blue at 60

Read "New Shoes: Kind of Blue at 60" reviewed by Jack Bowers

by Jack Bowers
April 10, 2020

2019 marked the sixtieth anniversary of the Miles Davis sextet's acclaimed album, Kind of Blue (Columbia). While the tributes didn't exactly pour in, New York-based composer / arranger Jon Schapiro took it upon himself not only to revisit that classic session but to re-orchestrate it for a large ensemble (the Schapiro 17) and flesh it out with half a dozen compositions of his own and another by pianist Roberta Piket. In keeping with the spirit of the occasion, all of ...