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Jazz Articles about Benjamin Deschamps

Album Review

JazzLab Orchestra: Loguslabusmuzikus

Read "Loguslabusmuzikus" reviewed by Angelo Leonardi


Jazzlab Orchestra è un medio organico costituito da tre ance e due ottoni in varie combinazioni, più una sezione ritmica con pianoforte. Opera da quasi due decenni nel Quebec (Canada), ha pubblicato sette album, collaborato con jazzmen statunitensi di primo piano (Ted Nash, Seamus Blake, Donny McCaslin, Rufus Reid) e dato svariati concerti in Nord America e in Europa, compresa l'Italia (la Casa del Jazz). La caratteristica principale dell'ottetto è la versatilità: grazie alle ottime doti individuali e ...

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Album Review

JazzLab Orchestra: Loguslabusmuzikus

Read "Loguslabusmuzikus" reviewed by Chris M. Slawecki


Jazzlab Orchestra has been a fixture on the jazz scene in Canada for nearly two decades. Their unique heavy sound features six brass and reed players with a relatively standard piano, bass and drum rhythm section, and they've captured that sound on several standalone recordings and presented it on more than 300 concert stages across North America and Europe. The music on Loguslabusmuzikus, nine new pieces written by bassist Auguste Le Prez under the subtitle “The New Experience: ...

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Album Review

Benjamin Deschamps: Augmented Reality

Read "Augmented Reality" reviewed by Anya Wassenberg


A dynamic approach, delivered with crisp modern panache, characterizes saxophonist, clarinetist & composer Benjamin Deschamps' Augmented Reality. For Deschamps, a greater reliance on an electric sound marks a considered departure from earlier work. A sense of forward momentum pervades all the tracks on the album, notably anchored by Al Bourgeois on the drumkit. Deschamps' and his sax lead off the first track, “Unfinished Business," a song with an aggressive drive that showcases the ensemble's strengths-- virtuosic technical precision, ...

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Album Review

Jazzlab Orchestra: Loguslabusmuzikus

Read "Loguslabusmuzikus" reviewed by Jack Bowers


The Jazzlab Orchestra, formed in 2004 and based in Montreal, Canada, lies somewhere short of orchestra-size. It's actually an octet—but don't let that deter you; the unison passages are generally robust and pleasing. Jazzlab does play jazz of a sort, music that may best be described as contemporary cerebral. In other words, this is not akin to the Dave Pell or Marty Paich octets; it's more along the lines of Gunther Schuller, Jan Garbarek or William Russo. But even though ...

Radio & Podcasts

A Selection Of New Releases

Read "A Selection Of New Releases" reviewed by Bob Osborne


On this week's show an eclectic mix of new releases from all corners of the world of jazz with music from Benjamin Deschamps, Ed Neumeister, Paulo Santo, Takatsuki Trio, Brandee Younger, Esinam, Mareike Wiening and De Beren Gieren.Playlist Benjamin Deschamps “Unfinished Business" from Augmented Reality (Self Released) 00:00 Ed Neumeister Quartet “Riverwalk" from What Have I Done? (MeisteroMusic Records) 06:40 Paulo Santo “As she swings, as a po(o)p song" from Agueda (Robalo) 13:21 Takatsuki Trio Quartett with Tobias ...

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Album Review

Sebastian Bailey: Ensemble de Magnac

Read "Ensemble de Magnac" reviewed by Jim Olin


Quebec-based composer-saxophonist Sebastian Bailey is primarily focused on chamber jazz on his latest EP, and his innovative ear guides each track. Ensemble de Magnac summarizes Bailey's creative vision quite well, especially his ability to create a diverse and engaging soundscape. The music on this release has a classic sound and the production aesthetics are solid, highlighting the natural chemistry between these talented musicians. The record's spotlight on chamber jazz allows the line-up to create a thick sonic fabric ...

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Album Review

Benjamin Deschamps: No Codes

Read "No Codes" reviewed by Friedrich Kunzmann


After having been exposed to the enticing Trioliloquy by the A/B Trio and Christian McBride's thrilling New Jawn, here is another formation which renounces any harmonic instrument and rather relies on the abilities of two saxophones and a tight rhythm section--so No Codes has no chords. Montreal-based alto saxophonist and composer Benjamin Deschamps is joined by Frank Lozano on tenor sax, while the rhythm section is Sebastien Pellerin on bass and Louis-Vincent Hamel driving the beat. In a ...


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