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Jazz Articles about Joey DeLeon
Jeremy Cohen: Raymond Scott Reimagined
by Walter Atkins
Raymond Scott Reimagined is an engaging collaborative project with Quartet San Francisco, Gordon Goodwin's Big Phat Band and the Grammy winning acapella group Take 6 on two tracks. The album is a thoughtful and stylish interpretation of Raymond Scott's legacy. It is also interspersed with audio tidbits featuring Scott's singular musical approaches. The album kicks off with the enticing Powerhouse," familiar to anyone who has watched a Warner Bros Looney Tunes cartoon. Toy Trumpet" is a tasty composition ...
read moreJuan Carlos Quintero: Table for Five!
by Richard J Salvucci
As the news gets worse, why do some kinds of music simply sound better and better? Juan Carlos Quintero's Table for Five is, by content at least, Latin Jazz." Yet there is something for everyone, including Alone Together," Giant Steps" and a slightly different version (as a cha-cha-cha) of Horace Silver's Cape Verdean- inflected Song for My Father." Aaron Serfaty on drums and Joe Rotondi on piano are more than capable soloists on Song." They bring a fresh sound to ...
read moreJuan Carlos Quintero: Table for Five!
by Jack Bowers
Fans of captivating Latin rhythms in the service of contemporary jazz should be enchanted by Table for Five! on which maestro Juan Carlos Quintero swaps his customary nylon strings for an electric guitar and his focus from smooth jazz and world music to the standard repertoire, American and Latin, and a pair of his own jazz-centered compositions. It's a milieu in which Quintero shines, as do his long-time friends and colleaguespianist Joe Rotondi, bassist Eddie Resto, drummer Aaron Serfaty and ...
read moreGordon Goodwin's Big Phat Band: The Reset
by Jack Bowers
Gordon Goodwin's dynamic Big Phat Band rumbles back onto the scene with The Reset, a somewhat less-than-big-phat album whose dual purpose, according to Goodwin, is to express hope and gratitude in the wake of the Coronavirus pandemic and to honor one of Goodwin's mentors, the late Sammy Nestico. Goodwin calls the album an EP, whose twenty-eight minute playing time places it in roughly the same ballpark as a vinyl LP from the good old days before digital recording and streaming. ...
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