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Jazz Articles about Joe Farrell

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Liner Notes

Heiner Stadler: Brains on Fire

Read "Heiner Stadler: Brains on Fire" reviewed by Howard Mandel


Brains on Fire fuels reflection on the past and response in the present. These eight extraordinary extended tracks, recorded in unusual conjunctions of master jazz improvisers instigated by composer/pianist Heiner Stadler for sessions held from 1966 through 1974, are alive with the passions of that era celebrating large, original works stretching the bounds of even the most ambitious music come before. As Stadler and his cadre of fully collaborative, creative interpreters brought immense smarts, skills and sensibilities besides ...

Album Review

Elvin Jones: Revival: Live at Pookie's Pub

Read "Revival: Live at Pookie's Pub" reviewed by Angelo Leonardi


Non c'è solo la musica --tumultuosa e avvincente-- a porre in primo piano questo doppio CD (o triplo LP) del quintetto di Elvin Jones, ripreso in un piccolo club di Manhattan dal 28 al 30 luglio 1967. L'edizione fortemente voluta da Zev Feldman (dopo 11 anni di tentativi presso varie etichette) illustra il punto di svolta del batterista da illustre sideman a leader e illumina la singolare condizione del jazz a New York nella seconda metà dei ...

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Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Mike Jurkovic


No matter your format of choice—the deluxe 180g 3-LP set, streaming, or a 2-CD package--there is some serious, late '60s hard bop soul-searching happening on this eye-opening, mind-expanding, previously unreleased Revival: Live at Pookie's Pub. Elvin Jones cleared the cobwebs just two weeks after John Coltrane's passing and the resounding end to the classic quartet of Coltrane, Jones, McCoy Tyner and Jimmy Garrison. The writing had been on the wall that Coltrane was more than ready and eager ...

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Album Review

Elvin Jones: Revival: Live At Pookie’s Pub

Read "Revival: Live At Pookie’s Pub" reviewed by Chris May


A welcome addition to Elvin Jones' catalogue, the previously unissued 2 x CD / 4 x LP Revival: Live At Pookie's Pub was recorded in New York in July 1967. The gig was just two weeks after the passing of John Coltrane, with whom Jones had played from 1960 to 1966. Jones' quartet includes the gritty but underrated tenor saxophonist Joe Farrell, who had the unenviable job of standing in Coltrane's shadow. But he rises to the occasion magnificently. Jones ...

Album Review

Heiner Stadler: Brains on Fire

Read "Brains on Fire" reviewed by AAJ Italy Staff


Heiner Stadler è nome pressoché sconosciuto se non agli addetti ai lavori o a qualche curioso appassionato jazzofilo. Nasce nel 1942 a Lessen in Polonia, cresce ad Amburgo dove studia pianoforte, armonia e composizione al conservatorio, per poi trasferirsi nel 1965 a New York. Qui intesse una serie di relazioni con importanti musicisti dal background assai variegato (si va sa Benny Golson a Barre Phillips, da Joe Chambers a John Gilmore e Joe Farrell, da Dee Dee Bridgewater a Thad ...

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Extended Analysis

Heiner Stadler: Brains on Fire

Read "Heiner Stadler: Brains on Fire" reviewed by Hrayr Attarian


Heiner StadlerBrains on FireLabor Records2012One of the most exciting reissues of the first quarter of 2012 is composer and pianist Heiner Stadler's pioneering Brains on Fire, originally released in 1973. The two-CD reissue adds three lengthy, previously unreleased tracks and informative and well-researched liner notes by critic Howard Mandel. Interestingly, Stadler occupies the piano chair only on five of the eight pieces, recorded over a seven-year span in a ...

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Album Review

The Jaki Byard Quartet with Joe Farrell: The Last From Lennie's

Read "The Last From Lennie's" reviewed by David Rickert


If anyone wanted to record a history of jazz piano, it could have been done by Jaki Byard, an incredibly versatile pianist who could play virtually any style. However, Byard was too cagey to have approached a project of that magnitude, preferring to meld his influences within the space of a single composition. Utilizing a method that at times seemed as if Eubie Blake’s left hard and Cecil Taylor’s right hand were playing in Art Tatum’s style, Byard created a ...


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